David Méndez Alonso, founder and creative director of Outsiders Division, knows what it’s like to be an adult that hasn’t grown up yet. Establishing the Barcelona-based brand in 2012, David’s goal was to bring bright colours, fun prints, and handcrafted pieces to the market because, as he puts it, “it is impossible to find color and fantasy in adult clothing.” Taking inspiration from his love of graffiti and comics, he effortlessly combines an array of shapes and styles to design clothing that caters to the inner child—something that no other brand does.
His newest collection, premiering at 080 Barcelona Fashion Week is a union of past creations, handcrafted shoes, and new accessories. The animal motifs—skillfully hand-painted by David—are the standout feature of the collection. Dalmatians, leopards, and bears are showcased against vibrant silhouettes, making them truly eye-catching.
What made you decide to start designing clothing and launch Outsiders Division?
I felt that there was a very strong gap in clothing for adults who haven’t grown up.
Why do you think that designing “for all adults who have not grown up yet” is so important?
From a practical point of view, because it is impossible to find color and fantasy in adult clothing. That makes Outsiders Division have a very defined niche and we are alone in this aesthetic. My clients face maturity from another point of view. Growing up does not mean losing the ability to be excited or to find emotion in the little things.
What is the inspiration behind your newest collection premiering at 080 Barcelona Fashion Week?
Finding points of union between a grandfather’s wardrobe and that of a child who, at the same time, wears the same.
The collection features a lot of animals throughout the garments. What do they mean to you?
From an aesthetic point of view, the animals represent the Outsiders Division aesthetic very well. They are fun, friendly, high-strung, and have a colourful personality. Animals help me to attract the attention of many clients and take them to my land. There is no better design than nature, everything is perfect and well thought out. For this collection, I have painted some portraits of cats and dogs in oil that have ended up being the main image.
How does this collection stand out from your previous collections?
We start from a safe approach to the designs because we already know what works and what doesn’t. I have exclusively made all the shoes by hand, there is tailoring and new accessories such as sunglasses and crochet hats. From my point of view, it is a perfect mix between crafts and handmade products with more industrial productions.
In which way does your love of graffiti and comics translate into your designs? Has this changed with each collection?
Graffiti and comics [were my] first approaches to art since I was little, they are two disciplines that I do not practice, but have never ceased to interest me. References build our identity. They create a treasure chest full of knowledge.
Since the start of Outsiders Division, how has your approach to designing clothes changed?
My designs are now more functional, they are better produced, they are more honest with the viewer, and they help you connect with your childhood in a more direct way. Outsiders Division is a box full of nostalgia.
You make it clear on your website that while you are taking steps towards sustainability, you aren’t a completely sustainable brand. Why do you think it is important to convey that message to your customers?
Since we wrote that manifesto on the website, we have improved our decision-making about the use of materials and production. All our knitted products are organic cotton and almost all our jackets too. All the denim we use is raw and we wash it at local suppliers who recycle the water. The polyester of all our shirts is recycled. We are using cotton fabrics from the 60s and 70s from old factories, and we have also made entire collections made with recycled mesh. The road is to be a brand that uses recycled materials, but it is a long road that we are certainly willing to face. Sustainability and fashion are contradictory words. What is truly sustainable is not to buy, recycle and reuse. What is possible is to be more consistent and responsible with your environment. You cannot be sustainable with sales promotions every week. The message would be: stop buying, reuse, and jump off the trend wheel.
What are your plans to work towards becoming a more sustainable brand?
Use 100% recycled and organic materials. Try to control our growth so as not to produce more than 150 units per product. Try to design only what works and never make sales. This would be the master plan.
What is in store for Outsiders Division in the future?
Sunglasses, a new shoes collaboration, and the collection you will see on 080 Barcelona.
Tucked away in the heart of Mayfair, the new Helen Anthony flagship store stands as a striking symbol of the brand’s unwavering dedication to luxury, elegance, and contemporary refinement. Spanning three thoughtfully designed floors, the boutique captures the spirit of the Helen Anthony identity — offering a sophisticated, immersive space that invites clients into a world of timeless fashion and artisanal craftsmanship.
Each floor unveils a unique ambiance: the sleek, minimalist main showroom sets a modern tone, while smaller, curated rooms offer a more intimate setting where the meticulous details of each collection can be fully appreciated. With its refined aesthetic and elegant simplicity, the store provides the ideal canvas for Helen Anthony’s expertly tailored creations to shine, allowing clients to experience the brand in its truest form.
More than just a retail destination, the boutique offers bespoke services within a carefully curated environment, appealing to those who seek exclusivity, personal attention, and an elevated fashion experience. Renowned for its precision tailoring and graceful silhouettes, Helen Anthony masterfully fuses bold design with timeless sensibility. Each collection, crafted from the finest fabrics, reflects a harmonious balance of modernity and tradition — designed for individuals who appreciate enduring style and confident elegance.
To celebrate the latest collection, an intimate photoshoot was staged in and around the flagship store’s prestigious Mayfair setting. This location was chosen not only for its visual appeal but also as a tribute to the brand’s roots and its deep connection to the neighborhood — reinforcing Helen Anthony’s ties to heritage, sophistication, and elevated design. By seamlessly blending fashion with place, it highlighted how each garment reflects Helen Anthony’s core values — transforming clothing into a narrative of identity, purpose, and refined taste.
full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
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full look. Helen Anthony
full look. Helen Anthony
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full look. Helen Anthony
full look. Valentino
opposite
full look. Brioni
shoes. Loro Piana
full look. Valentino
opposite
full look. Brioni
shoes. Loro Piana
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“Sometimes life doesn’t choose you, a role chooses you.” For Emanuela Postacchini, acting is more than just playing a character in front of the camera. Her journey, which began in a small town in the Marche region of Italy, now puts her in the same frame with giants like Jennifer Coolidge and Bill Murray. Her role as Marina in ‘Riff Raff’, which had its world premiere at the Toronto Film Festival, reveals both her vulnerability and her creative power.
‘Riff Raff’ made its worldwide premiere at TIFF to great buzz. What drew you to this project, and what was it like stepping into this gritty crime world alongside such a legendary ensemble cast? It feels like the kind of film that doesn’t come around often.
Absolutely—it really doesn’t. As you said, opportunities like this don’t come by very often. To be part of a film with so many legendary actors—people I grew up watching—was surreal. I remember showing up on set and just thinking, “Wow, they’re all really here.” When I first received the script, I loved it. I had never read anything quite like it in my entire career. I was already familiar with the screenwriter, John Pollono—I’m a big fan of his work. ‘Small Engine Repair’ was brilliant. The script for ‘Riff Raff’ was such a compelling blend of comedy and darkness, with these really raw and complex family dynamics running throughout.
What especially stood out to me was the relationship between DJ and Louis Coleman—there’s such emotional depth there. That father-son dynamic plays out in multiple layers and scenarios, and it was fascinating to explore. Also, Marina being pregnant drew me in—I had never played a pregnant character before. I thought it would be interesting to explore that physically and emotionally. I wanted to learn how a pregnant woman sits, walks, eats—just how she navigates the everyday. I talked to friends who had been pregnant to understand those nuances. And of course, the cast! Jennifer Coolidge was already attached, and I immediately thought, “Yes, this role was written for her.” No one else could’ve played Ruth the way she did. She brought that character to life in such a unique, hilarious way. Ed Harris was also part of the cast, and Bill Murray joined later. At the time of my audition, he wasn’t attached yet. But even being considered for a role in such a stacked ensemble felt like a dream come true. It was one of those rare opportunities.
Speaking of Marina being pregnant, what was it like navigating that, especially while acting alongside big personalities like Jennifer Coolidge and Bill Murray? What’s one memorable moment that really stayed with you from the set?
I absolutely adore Bill Murray. He’s such a gentleman, incredibly gracious, and really embraces everyone—even newer actors like myself. He pushes you to bring your A-game in the most supportive way. He’s humble and hardworking, and I had an amazing experience working with him. One moment that always makes me smile—we used to sit on the couch during breaks and flip through fashion magazines together, just chatting about trends. I would’ve never imagined that one day I’d be sitting on a movie set, commenting on fashion with Bill Murray! I think I even have a photo of that moment somewhere—it was hilarious and unforgettable.
Jennifer is also just… Jennifer. So authentic, so uniquely herself. I always say she reminds me of Marilyn Monroe—not in a direct comparison, but in that she has this rare charisma mixed with a kind of innocence and genuineness. She’s incomparable. And we share a deep love for pizza. We even promised each other we’d go on a pizza marathon one day. I hope we still do that!
full look. Ferragamo
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jacket. Institution
full look. Ferragamo
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jacket. Institution
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From ‘The Alienist’ to ‘Riff Raff’, your roles span thrillers, satire, drama, and now crime-comedy. How do you approach choosing such diverse characters? Your choices reflect both range and boldness.
Honestly, I feel like the roles choose you as much as you choose them. Sometimes, something just clicks when you read a script, and that’s the beauty of acting—you get to live so many different lives you wouldn’t experience otherwise. Each role comes with its own color palette, emotions, and energy. The approach always depends on what the script makes me feel and what I believe I can bring to that character—or what that character might bring out in me. Sometime,s you connect deeply, sometimes, it challenges you in a completely new way. Ultimately, I think it’s a dance—part instinct, part preparation, part surrender.
You were born in Italy and now work extensively in the U.S. Has your cultural background influenced how you approach your characters? There’s a certain emotional sensitivity in your performances.
Definitely. Being Italian, there’s a natural passion I bring into everything I do. We’re very expressive, emotional people—we love deeply, argue loudly, and live fully. Interestingly, I’ve often been asked to audition for French roles. In fact, Marina was originally written as a French woman. I even did the first audition in a French accent! But when the director found out I was Italian, he said, “Wait—you’re Italian? Play her as Italian.” And that changed everything. I brought in that big-hearted, family-loving energy. Even little details—like how Marina cooks breakfast while having this sweet moment with DJ—I think those gestures felt very Italian. That cultural texture added something special to the role, and I was really proud to be able to bring that to the screen.
Which city are you from in Italy?
I’m from a small town called Sant’Elpidio a Mare, in the Marche region, on the east coast of Italy. It’s where my family still lives, and I go back every chance I get—especially for holidays. It’s home.
You’ve worked with filmmakers like Sacha Baron Cohen, Roman Coppola, and now Dito Montiel. Does your acting process change depending on the director?
Absolutely. Every director brings something different. Some are very specific and detail-oriented—they’ll tell you exactly what they want and how to get there. Dito, on the other hand, was incredibly trusting. He gave me space to explore, to bring my own ideas into Marina’s character. He wouldn’t say “do this.” Instead, he’d ask questions, lead me into discovering choices on my own. That’s so empowering as an actor. Even though we shot the film quickly, Dito made the process feel fluid and natural. When a director trusts your instincts, it opens up your performance in a completely different way.
You’ve had breakout roles—like in ‘The Alienist’—that introduced you to international audiences. What’s been your most creatively fulfilling role to date?
Definitely Marina in ‘Riff Raff’. Also, working on Who Is America? with Sacha Baron Cohen was incredible because it’s such a rare experience to do satire at that level. But Marina will always have a special place in my heart. It was my first leading role in the U.S., with a dream cast. Coming from a small Italian town, I never imagined I’d get that far—and working alongside actors I grew up admiring was deeply meaningful. When I read the script, I immediately saw Marina. I pictured her with red nail polish, baby bangs, wearing oversized cardigans—this mix of edgy and sweet. I even cut my own bangs to get into character! It was love at first sight.
full look. Mom’s Pants
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full look. Loro Piana
skirt as belt. N21
full look. Mom’s Pants
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full look. Loro Piana
skirt as belt. N21
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And you’re acting in a language that isn’t your mother tongue. That’s a challenge on its own!
True, but I’ve been in the U.S. for a while now, and English feels natural to me at this point. It still isn’t my native language, but it doesn’t feel like a barrier anymore. Plus, I love playing with accents and characters from different cultures—I speak several languages, so it’s actually really fun for me.
You’ve been part of projects like Who Is America? that blend fiction with social commentary. Are you drawn to stories that challenge norms or provoke thought?
Yes, definitely. With Sacha Baron Cohen, for example, that kind of satire is unmatched—he’s a genius. Those kinds of projects don’t come along often. I believe that film and TV can—and should—reflect what’s happening in the world. Art can be a powerful way to give voice to what we’re all experiencing. I’m currently working on a vampire film with Alexandra Casavettes, which I’m also executive producing. It’s got a strong social commentary on the last few years, and I’m excited to see how audiences respond.
You’ve worked with legends like Liam Neeson and Ed Harris. What’s the biggest piece of wisdom you’ve picked up from working alongside actors like them?
Humility. No matter how big your career is, you have to keep showing up and doing the work. Bill Murray recently said something during press in New York—he corrected me and said, “Not just humility—false humility.” But the point is, you don’t rest on your laurels. You keep pushing, you keep bringing everything you have to every role.
Looking ahead, are there any stories you’re longing to tell—maybe something deeply personal or unexpected?
Oh, yes! There are so many stories yet to be told. But one thing I’ve been thinking about lately—maybe something comedic, like a cultural clash between Italian and Irish families. My partner is Irish, and the differences in our cultures are hilarious. Italians are so fiery and expressive, we take three-hour lunch breaks, we’re obsessed with food. Meanwhile, that’s totally foreign to other cultures. I think it could be really fun to explore that contrast in a comedy.
Sounds hilarious—and very real! Italians do it better.
skincare. (base) Bobbi Brown Vitamin Enriched Face Base +
D’alba Piedmont, Aromatic Spray Serum, (powder) Charlotte
Tilbury Airbrush Flawless Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) Hindash Thorn, (mascara) Benefit Bad Gal Bang,
(eyebrows) Benefit Brow Pomade + (lips) Charlotte Tilbury Lip &
Cheek Glow Pillow Talk
Tatiana wears
coat. Magda Butrym
shoes. Versace
stockings. Agent Provocateur
skincare. (base) Bobbi Brown Vitamin Enriched Face Base +
D’alba Piedmont, Aromatic Spray Serum, (powder) Charlotte
Tilbury Airbrush Flawless Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) Hindash Thorn, (mascara) Benefit Bad Gal Bang,
(eyebrows) Benefit Brow Pomade + (lips) Charlotte Tilbury Lip &
Cheek Glow Pillow Talk
Tatiana wears
coat. Magda Butrym
shoes. Versace
stockings. Agent Provocateur
Credits
Model Tatiana Djau bends in the light in this Schön! editorial photographed by Daniel Asater with fashion by Beagy Zielinski who dresses Djau in looks by Magda Butrym, Agent Provocateur, L’Armoire Du Styliste and others. Hair and make up by artist Ivan Kuz.
Tatiana wears
belts. Tommy Hilfiger + AGL
opposite
skincare. (base) Bobbi Brown
Vitamin Enriched Face Base
+ D’alba Piedmont, Aromatic
Spray Serum, (powder)
Charlotte Tilbury Airbrush
Flawless Filter, (complexion)
Huda Beauty Easy Blur + (blush)
Charlotte Tilbury Lip & Cheek
Glow Pillow Talk
make up. (eyes) Chanel Stylo
Yeux Waterproof Eyeliner +
makeup by Yolondo
Tatiana wears
dress. L’Armoire Du Styliste
Tatiana wears
belts. Tommy Hilfiger + AGL
opposite
skincare. (base) Bobbi Brown
Vitamin Enriched Face Base
+ D’alba Piedmont, Aromatic
Spray Serum, (powder)
Charlotte Tilbury Airbrush
Flawless Filter, (complexion)
Huda Beauty Easy Blur + (blush)
Charlotte Tilbury Lip & Cheek
Glow Pillow Talk
make up. (eyes) Chanel Stylo
Yeux Waterproof Eyeliner +
makeup by Yolondo
Tatiana wears
dress. L’Armoire Du Styliste
Credits
skincare. (base) Bobbi Brown Vitamin Enriched Face Base + D’alba Piedmont,
Aromatic Spray Serum, (powder) Charlotte Tilbury Airbrush Flawless Filter,
(complexion) Huda Beauty Easy Blur + (blush) Charlotte Tilbury Lip & Cheek
Glow Pillow Talk
make up. (eyes) Chanel Stylo Yeux Waterproof Eyeliner + makeup by Yolondo
Tatiana wears
dress + crochet hood. Magda Butrym
opposite
skincare. (base) Bobbi Brown Vitamin Enriched
Face Base + D’alba Piedmont, Aromatic Spray
Serum, (powder) Charlotte Tilbury Airbrush
Flawless Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip & Cheek Glow
Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
jacket. Badibanga
dress. Mainless
shoes. Magda Butrym
earrings. Loro Piana
skincare. (base) Bobbi Brown Vitamin Enriched Face Base + D’alba Piedmont,
Aromatic Spray Serum, (powder) Charlotte Tilbury Airbrush Flawless Filter,
(complexion) Huda Beauty Easy Blur + (blush) Charlotte Tilbury Lip & Cheek
Glow Pillow Talk
make up. (eyes) Chanel Stylo Yeux Waterproof Eyeliner + makeup by Yolondo
Tatiana wears
dress + crochet hood. Magda Butrym
opposite
skincare. (base) Bobbi Brown Vitamin Enriched
Face Base + D’alba Piedmont, Aromatic Spray
Serum, (powder) Charlotte Tilbury Airbrush
Flawless Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip & Cheek Glow
Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
jacket. Badibanga
dress. Mainless
shoes. Magda Butrym
earrings. Loro Piana
Credits
skincare. (base) Bobbi Brown Vitamin
Enriched Face Base + D’alba Piedmont,
Aromatic Spray Serum, (powder) Charlotte
Tilbury Airbrush Flawless Filter, (complexion)
Huda Beauty Easy Blur + (blush) Charlotte
Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
dress. Rasario
shoes. Duha
hat. Loro Piana
opposite
skincare. (base) Bobbi Brown Vitamin Enriched
Face Base + D’alba Piedmont, Aromatic Spray
Serum, (powder) Charlotte Tilbury Airbrush
Flawless Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip & Cheek Glow
Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
jacket. Limé
trousers. Badibanga
skincare. (base) Bobbi Brown Vitamin
Enriched Face Base + D’alba Piedmont,
Aromatic Spray Serum, (powder) Charlotte
Tilbury Airbrush Flawless Filter, (complexion)
Huda Beauty Easy Blur + (blush) Charlotte
Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
dress. Rasario
shoes. Duha
hat. Loro Piana
opposite
skincare. (base) Bobbi Brown Vitamin Enriched
Face Base + D’alba Piedmont, Aromatic Spray
Serum, (powder) Charlotte Tilbury Airbrush
Flawless Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip & Cheek Glow
Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
jacket. Limé
trousers. Badibanga
Credits
skincare. (base) Bobbi Brown Vitamin Enriched Face Base + D’alba
Piedmont, Aromatic Spray Serum, (powder) Charlotte Tilbury Airbrush
Flawless Filter, (complexion) Huda Beauty Easy Blur + (blush) Charlotte
Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) Hindash Thorn, (mascara) Benefit Bad Gal Bang,
(eyebrows) Benefit Brow Pomade + (lips) Charlotte Tilbury Lip & Cheek
Glow Pillow Talk
Tatiana wears
dress. Fendi
necklace. Loro Piana
skincare. (base) Bobbi Brown Vitamin Enriched Face Base + D’alba
Piedmont, Aromatic Spray Serum, (powder) Charlotte Tilbury Airbrush
Flawless Filter, (complexion) Huda Beauty Easy Blur + (blush) Charlotte
Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) Hindash Thorn, (mascara) Benefit Bad Gal Bang,
(eyebrows) Benefit Brow Pomade + (lips) Charlotte Tilbury Lip & Cheek
Glow Pillow Talk
Tatiana wears
dress. Fendi
necklace. Loro Piana
Credits
skincare. (base) Bobbi Brown Vitamin
Enriched Face Base + D’alba Piedmont,
Aromatic Spray Serum, (powder)
Charlotte Tilbury Airbrush Flawless
Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip &
Cheek Glow Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
jacket. Limé
trousers. Badibanga
shoes. Versace
opposite
skincare. (base) Bobbi Brown Vitamin Enriched Face
Base + D’alba Piedmont, Aromatic Spray Serum,
(powder) Charlotte Tilbury Airbrush Flawless Filter,
(complexion) Huda Beauty Easy Blur + (blush)
Charlotte Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
dress. Mainless
skincare. (base) Bobbi Brown Vitamin
Enriched Face Base + D’alba Piedmont,
Aromatic Spray Serum, (powder)
Charlotte Tilbury Airbrush Flawless
Filter, (complexion) Huda Beauty Easy
Blur + (blush) Charlotte Tilbury Lip &
Cheek Glow Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
jacket. Limé
trousers. Badibanga
shoes. Versace
opposite
skincare. (base) Bobbi Brown Vitamin Enriched Face
Base + D’alba Piedmont, Aromatic Spray Serum,
(powder) Charlotte Tilbury Airbrush Flawless Filter,
(complexion) Huda Beauty Easy Blur + (blush)
Charlotte Tilbury Lip & Cheek Glow Pillow Talk
make up. (eyes) makeup by Yolondo
Tatiana wears
dress. Mainless
