louis vuitton cruise 2026 | avignon

If the ocean connects us all, as Maximilian Davis suggests, then the Ferragamo woman is currently crossing the Atlantic in considerable style. For Pre-Autumn 2026, the designer has looked past the usual yacht club clichés to chart a far more interesting course. He fuses the brand’s deep Hollywood roots with his own Caribbean heritage and the result is a wardrobe we can’t get enough of.

This is 1920s glamour, but it has been left out in the salt air. Davis has dismantled the rigid rules of maritime dressing, raiding the archives for stripes that now slash across silk scarf dresses with a liquid flow. The silhouettes have completely uncurled; the sharp lines of the past have given way to effortless drop-waists, high-waisted sailor trousers and low-slung pencil skirts.

Davis is obsessing over the mechanics of sailing this season: “That idea of the water connecting people and places led me to looking at sailors, and the space they were navigating to discover new beginnings.”

You spot it in the knotted fastenings that replace traditional buttons and the metal eyelets puncturing the knitwear like hardware on a hull. He has even introduced a mix of sailor and mandarin collars, blending naval tradition with a refined, global traveller aesthetic. The colour palette tells the same story: bold Caribbean blocks meet degrade prints that look as though the tide has bled into the fabric, mimicking an endlessly expansive horizon.

Of course, the accessories are the real headline here. The East-West bag trend has officially docked at Ferragamo. The beloved Hug bag and the double Gancini flap have been stretched into sleek, horizontal shapes that tuck perfectly under the arm. It is a subtle tweak that completely changes the attitude of the bag, making it feel modern and edgy. For those craving texture, the Soft Hug arrives in a tactile grosgrain, while a woven leather hobo bag serves as a reminder of the Florentine craftsmanship powering the whole operation.

Even the house icons are getting a little rough around the edges. The famous Vara bow ballerina is back, but it looks beautifully undone, crafted from delicate, shredded grosgrain. It is a brilliant touch of imperfection in an otherwise polished lineup. 

If you need something for the evening, the new satin pumps with sculptural ‘S’ heels come scattered with Art Deco jewellery details. Between the crocodile-print slingbacks and the deconstructed loafers for men, Davis has managed to make the maritime theme feel entirely personal. They serve as the perfect anchor for a collection that navigates the space between the Golden Age and the open sea.

Discover more here.

photography. courtesy of Ferragamo
words. Gennaro Costanzo

Post Malone has spent the last year proving that his transition into the fashion world is anything but a side quest. After bringing a literal horse onto a Parisian runway for his brand’s debut in September, the artist – now firmly in his ‘Austin Post’ era – has launched the first chapter of his ‘Studio Series.’ This inaugural drop is a collaboration with LA-based artist Matt McCormick, a man who has spent his career dissecting the same grit and glamour of the American West that Malone is currently obsessed with.

If you’ve followed McCormick’s own label, One of These Days, or seen his charcoal drawings on album covers for the likes of Bad Bunny or Zach Bryan, you’ll know his style: it’s charcoal cowboys, Marlboro-red nostalgia and the dusty but cinematic Americana wardrobe. For this capsule, Malone and his team actually decamped to McCormick’s studio to dig into the visual language of his practice. The result is a five-silhouette collection which includes heavy-duty hoodies, crewnecks and tees, that serves as a wearable extension of McCormick’s paintings.

The collection leans heavily on two of McCormick’s exclusive works, ‘Among The Low Light’ and ‘Ceremony of Certainty.’ These graphics are integrated with ‘At First Light – Season One’ typography, a direct visual reference to the brand’s AW25 runway show that recently set the tone for the label’s future. The colour palette stays true to the ‘modern cowboy’ aesthetic with muted, earthy tones that look better the more they’re worn.

For McCormick, the cowboy is a symbol of masculinity and cultural myth that he’s been unpacking since watching Westerns with his dad. “The reality is it could be a cowboy, or it could be something else – the fact that the feeling got through and resonated is the best part,” says the artist. “I’m a huge fan of Richard Prince and seeing what he had done with the Marlboro advertisements and taking ownership of those, there’s a lot about masculinity, about how my country exists in the world. There’s just a lot that comes from that imagery.”

By teaming up with Post Malone, who is currently the poster child for the ‘Post-modern Cowboy’ movement, the collaboration embodies a genuine dialogue between two guys who just really love the desert.

The capsule collection is available exclusively on Austin-Post.com.

photography. courtesy of Austin Post
words. Gennaro Costanzo

Emily Cooper has officially traded her croissants for carbonara and Fendi is making sure her Roman holiday looks the part. To mark the arrival of Season 5 of ‘Emily in Paris’ on Netflix today, the Roman house has dropped a special capsule collection that essentially captures Emily’s pivot from Parisian chic to Italian maximalism. 

If you thought Emily’s wardrobe was already dialled up to eleven, wait until you see her navigating Rome with a mint-green tapestry Baguette in tow. It is the ultimate main character accessory, and while her postcode has changed, that “It’s not a bag, it’s a Baguette” energy remains entirely undefeated. This is the fashion crossover for a show that half the internet claims to hate-watch while secretly scouring the frames for outfit inspiration.

The collection focuses on three of Fendi’s most sacred and iconic shapes, specifically two Baguettes and one Peekaboo bag, all reinterpreted through the House’s codes. The standout feature is a tapestry-effect fabric that introduces the Fendi Dots motif, a clever hybrid of the iconic FF logo and Art Deco polka dots. The colour palette is delightfully clashing, featuring colour-block combinations like a soft brown paired with candy pink or a sophisticated dove grey offset by a punchy mint green. Each piece comes with a dedicated tag to prove you were part of the Season 5 hype.

What makes this drop feel particularly meta is that Lily Collins actually wears the collection throughout the new season. Viewers will spot Emily navigating her new Roman adventures while carrying the Baguette through the Fendi headquarters at the Palazzo della Civiltà Italiana and the flagship store at Palazzo Fendi.

It is a full-circle moment for a bag that became a cultural phenomenon in the late 90s. As the internet says, the Roman Empire is no longer just a meme; for Emily Cooper, it’s a lifestyle.

The capsule is available in a very limited release at selected Fendi boutiques and online from today, coinciding exactly with the binge-watch release of the new episodes.

photography. courtesy of Fendi, Michael Stewart
words. Gennaro Costanzo