thumb through the familiar | ziggy chen aw26

“The starting point for this collection was to revisit the fundamental elements that make up a garment and rethink them from the ground up,” said designer Ziggy Chen. An early proponent of quiet luxury, there is an unfinished history that exists in Ziggy Chen’s clothing each season. Fragments of the past are observed, displaced, and reassembled through a contemporary sensibility. Colours are muted and restrained. The construction is honest and raw, and pieces are made of natural fibres, wool, cashmere, hemp, linen, and silk. 

So, ‘Dissparation’ is a fitting name for Ziggy Chen and his Fall/Winter 2026 collection, alike, “Dissaparation moves at the edges of perception. It is not defined by what is immediately visible, but by what shifts, separates, and recomposes over time,” read the program, and approaching his 15th anniversary, Chen’s proof that restraint has staying power. 

“I see the past ten years as an ongoing process of learning. Looking back, my understanding of the industry was quite limited at the beginning,” said Chen. “Even after more than a decade, there are still many long-established techniques within this industry that I continue to study and learn from,” he added.

It can be said that a Ziggy Chen collection is a thumb through the familiar. A beat-up leather jacket that feels like a luxurious treasure. A sturdy pair of trousers that once felt too small, but now fits just right, and that paper boy hat that you’d only seen in sepia-colored photographs on your grandfather’s nightstand, suddenly feels like it was made just for you, because it was.

words. Malcolm Thomas