Left
Dress / Julien Fournie
Right
Dress / Serkan Cura
Left
Dress / Julien Fournie
Right
Dress / Serkan Cura
Credits
Venture into the forests for this Schön! online editorial by photographer and make up artist Franck Glenisson. Our talents wear pieces from Julien Fournie, Serkan Cura, Alaïa and others styled by Laetitia Kandolo. Hair for the piece is by Cyril Nanino.
Left
Coat / Alaïa
Harness / Norisol Ferrari
Right
Jacket / Serkan Cura
Briefs / Eres
Shoes / Christian Louboutin
Left
Coat / Alaïa
Harness / Norisol Ferrari
Right
Jacket / Serkan Cura
Briefs / Eres
Shoes / Christian Louboutin
Credits
Left
Coat / Schiaparelli
Bra / Wolford
Panty / Eres
Latex Hold Ups / Mise En Cage
Right
Robe / Avent Provocateur
Left
Coat / Schiaparelli
Bra / Wolford
Panty / Eres
Latex Hold Ups / Mise En Cage
Right
Robe / Avent Provocateur
Credits
Robe / Agent Provocateur
Bra / Eres
Briefs / Mise En Cage
Leather Belt / Herve Leger
Robe / Agent Provocateur
Bra / Eres
Briefs / Mise En Cage
Leather Belt / Herve Leger
top + skirt. You Wanna @ TATA LA
shoes. HAVVA
gloves. Bundi Store
opposite
jacket. Harbison
necklace + ring. COS
top + skirt. You Wanna @ TATA LA
shoes. HAVVA
gloves. Bundi Store
opposite
jacket. Harbison
necklace + ring. COS
Credits
“But I think sometimes you have to be a little insane,” says Australian actress and singer Aisha Dee as she explains having a “pie-in-the-sky thought” about becoming an actor at a young age despite not having any connection to the industry. Best known for playing Kat Edison on Freeform’s comedy drama ‘The Bold Type’, Dee has captivated audiences with her sharp wit, undeniable charm, and authentic voice across various projects exploring themes around social media, surveillance, and information overload, to name a few. But it is Dee’s latest role as Chanelle in Netflix’s ‘Apple Cider Vinegar‘ that truly highlights her depth. Especially in a series where appearances reign supreme, and the obsession with identity reinvention is matched only by the art of deception. Throw in the fact the show was inspired by a true story, and surrounds a “wellness” guru and you welcome a little more insanity.
Schön! speaks with Dee about her year, her experiences as Kat and Chanelle, and her upcoming music.
bodysuit. Good American
shoes. KAUD @ TATA LA
necklace. CENDRÉ
tights. Wolford
opposite
shirt + trousers. Harbison
pearl choker. Sin by Mannei
bodysuit. Good American
shoes. KAUD @ TATA LA
necklace. CENDRÉ
tights. Wolford
opposite
shirt + trousers. Harbison
pearl choker. Sin by Mannei
Credits
How’s your year going so far?
Part of me is tired [Laughs]. Is it really going to be April? I feel we’ve established that time isn’t real [Laughs]. I feel like [this year has] been a whirlwind! Over the last few years, I’ve been going back and forth to Australia more than I used to. Initially, it was to be closer to my family, but now it’s kind of evolved into me really wanting to be there. Growing up, I didn’t always feel like I fit in, but now I’m finding a new appreciation for it. And I think it maybe took leaving and joining the circus to kind of find myself and become a bit more comfortable just occupying all of the different spaces within myself. It’s been really nice to reconnect my love for the place that I’m from.
That’s beautiful! When did you know you wanted to act?
I did [know I wanted to act] from a quite a young age – a very delusional child, I was. My favourite people are the delusional ones, honestly. A delusional adult, if you can believe it. I had this pie-in-the-sky thought that I would just be an actor and it would just work out despite not having any family connection to it or any of the resources to even get there. I think people thought I was a little bit insane, but I think sometimes you have to be a little insane. I think sometimes naivety can really be your friend when you’re trying to do something that people don’t expect or that doesn’t come easily to you.
I’ve just been kind of making it up as I go along and I kind of just have this mindset that I just want to work with really good people and enjoy a really good process. Whatever comes from that will come. I love all genres. I actually love movies and television and I just want to be a part of it. I just want to tell stories and I don’t really have any kind of limitations in my brain in terms of what it looks like.
You’ve played such a diverse range of roles. Let’s talk about ‘The Bold Type’.
‘The Bold Type’ is like the gift that keeps on giving. So many years later, people still really love that show. It’s amazing. It hit at an important time, and I think especially during the pandemic, it became this comfort show for people. It was aspirational but also predictable in a good way. It touches me that people still connect with it so much. I’ve been lucky to work across different genres, and I just love storytelling. I choose roles that I resonate with, roles that make me feel something. If I find myself feeling defensive over a character, like they’re my friend, and there is fire in my belly, then I know it’s the right one.
Do you feel that you felt that for Chanelle and how did ‘Apple Cider Vinegar’ come about?
Oh, completely. I was on holiday when I got the script. I wasn’t in the mood to read anything because I was feeling a little depressed at the time, honestly. I got a call from someone on my team who said I should give this another look. So, I gradually decided to read the first 20 pages and I was absolutely hooked. I loved Chanelle right off the bat. She was my girl and I just kind of felt immediately obsessed with the story – and also outraged at what was happening. It really spoke to something kind of beyond just the character.
Out of all the characters, Chanelle had this really strong moral compass – a really strong sense of what was right and what was wrong. And then she also had some questionable morals herself. It was layered. I loved that she wasn’t completely virtuous, but that she was still kind of fighting for what she felt was right. She had that really comfortable relationship with her outrage and anger at the whole thing. In a way, I choose characters that I think will hopefully maybe teach me something. She really taught me to be honest and to say the truth even when it’s painful or scary.
The show really taps into the overwhelming amount of health information we see today. Was that part of what resonated with you?
Absolutely! There’s so much conflicting health advice, and trying to advocate for yourself can be exhausting. The show really captures that frustration.
jacket. Studio 83
denim + belt. Izakova
boots. HAVVA
opposite
shirt + trousers. Harbison
pearl choker. Sin by Mannei
jacket. Studio 83
denim + belt. Izakova
boots. HAVVA
opposite
shirt + trousers. Harbison
pearl choker. Sin by Mannei
Credits
How is Chanelle similar (or different) to Kat from ‘The Bold Type’
Yeah, I actually do think that there are some very strong similarities between Kat and Chanelle for sure. There’s strength to both of them. They [both] run towards the problem and I think in terms of their trauma response or their stress response, they’re [both] fighters for sure.
Is there anything you hope viewers will take away from watching ‘Apple Cider Vinegar’?
I have lots of thoughts on this. I feel it’s such an interesting show because I don’t know if it tonally really fits anywhere. It exists in this special place. And I’m always really apprehensive to say what people should take away from it. Maybe it’s just [about] that awareness that there is a lot of empathy put out there. I do hope that people leave the show feeling empowered and also a little bit less alone if they are feeling overwhelmed. I hope they feel empowered to advocate for themselves in the health and wellness space because they’re beautiful spaces.
You also have ‘Watching You’ coming up. What can you tell us about it?
It’s an adaptation of a book, an erotic thriller with psychological elements. Honestly, I think it’s really different, especially for Australian television. It is also very different, tonally, from anything I’ve ever done. But again, you know, I like playing characters with a little fire in their belly and characters that are willing to run towards the problem. Even though my roles have been of different genres, it seems there are common threads in them of privacy, power, and control.
How did you prepare for ‘Watching You’ compared to ‘Apple Cider Vinegar’?
‘Watching You’ was physically demanding. I had to do more stunts and physical stuff than I’ve ever had to do. I’m usually a yoga and Pilates girl. But it was really fun.
Finally, ‘One More Shot’ premiered at SXSW in Austin, Texas. How was your experience in that movie?
Honestly, I had the best time filming that movie. So silly and so fun. I thought, “Oh, this character doesn’t have to cry once. Fantastic.” I think I need to do a movie where I don’t have to do traumatic stuff. So, it was a nice little breath of fresh air between these quite heavy projects. I did it for that reason because I can’t keep digging into the trenches of my trauma for my work. I need to find some lightness and happiness. Actually, it’s taught me a lot about balance and rest.
Anything else you want to tell us?
I am working on new music! I’ve actually just started collaborating with friends that work in different mediums to create something together too. So, it’s not just an audio medium, but I’m working with my friends who are visual artists as well. I’m excited. It’s nice to have a creative endeavor that exists completely outside of any construct. It’s literally just me on my laptop, usually sitting on the floor with my keyboard. So yeah, the [new music] – it’s on its way. It’ll be out.
jacket. Studio 83
denim + belt. Izakova
boots. HAVVA
opposite
top + skirt. You Wanna
gloves. Bundi Store
jacket. Studio 83
denim + belt. Izakova
boots. HAVVA
opposite
top + skirt. You Wanna
gloves. Bundi Store
Everything is balanced on an equilibrium in this Schön! editorial photographed by Robert Binda with fashion by Alice Balducci who styles Dante Kedde in looks by Givenchy, SHUSHU/TONG, SELF-PORTRAIT and others. Hair by stylist Francesco Merico with make up by artist Charlie Murray.
For Michelle Núñez, storytelling isn’t just about performance — it’s a practice of presence, discipline, and self-discovery. And in Tyler Perry’s ‘Ruthless’, she proves that her work as a storyteller perfectly captures her character, Zane, who she plays with heartbreaking vulnerability and fierce determination. From enduring manipulation to discovering her own inner strength, Zane’s journey is a testament to resilience, self-discovery, and the power of hope. For Núñez, stepping into this role meant more than just acting — it required deep emotional investment, an unwavering trust in the process, and a willingness to carry Zane’s pain while honoring her growth.
Outside of acting, though, her deep connection to yoga and meditation defined much of her journey. With over 550 hours of teacher training, Núñez has immersed herself in various meditative practices, including mindfulness, metta, open monitoring, body scan, transcendental, yoga nidra, and movement meditation. At the core of her practice is non-dual awareness meditation, a philosophy that aligns with her holistic approach to both life and artistry. She also integrates fasting as a spiritual and physical discipline, embracing everything from three-day water fasts to 16/8 intermittent fasting. Now, as she balances acting and yoga, she is also channeling her creative energy into music, which is currently in production. This next phase is about stepping fully into her artistry, sharing her voice in new ways, and allowing everyone to experience an even more personal side of her journey.
In conversation with Schön!, Michelle Núñez takes us behind the scenes of ‘Ruthless’, sharing the emotional depth of Zane’s story, the bonds formed on set, and the exciting new projects on her horizon.
‘Ruthless’ explores intense themes of loyalty, survival, and identity. How did you mentally and emotionally prepare to step into the role of Zane?
Preparing for Zane required a deep connection to her heart and spirit. I had to tap into my own sense of resilience, remembering that we all have moments of strength and vulnerability. Mentally and emotionally, I ground myself in faith and trust in the process, knowing that Zane’s journey, no matter how difficult, is also one of growth. It’s a constant reminder of the power of love, loyalty, and staying true to yourself.
Zane has gone through some harrowing experiences in the series. How has she evolved since you first started playing her, and what has surprised you most about her journey?
Zane’s evolution has been one of self-discovery. At first, she was trying to survive in a world that was so harsh, but now I see her awakening to her own power and the possibilities of freedom and love. What surprises me most is how much she continues to surprise herself. Her growth has taught me that even in the darkest of places, we have the capacity to heal and transform. Her journey is a beautiful reminder that light always finds its way through.
What has it been like working with Tyler Perry, both as a director and storyteller? Has he given you any memorable advice that has shaped your approach to acting?
Working with Tyler Perry has been a gift. His ability to tell stories with such depth, humanity, and authenticity is inspiring. One piece of advice that’s really stuck with me is to trust myself. I’m reminded to bring my full self to the table — to trust the character’s journey and embrace all of her, even the messy parts. That kind of faith in the process has deepened my own belief in my craft.
The show deals with dark and high-stakes situations. How do you decompress after filming such intense scenes? Does your meditation practice help you separate yourself from Zane’s struggles?
After filming intense scenes, I always make space for stillness. Meditation and breathing practices are crucial for me to release the emotional weight I might carry from a scene. I’ve learned that it’s okay to feel deeply, but it’s also important to honor my peace and restore balance. I find so much comfort in allowing myself to let go of the energy from Zane’s world and reconnect with my own.
‘Ruthless’ takes a deep dive into the world of cults and manipulation. How did you research or mentally prepare to portray someone entangled in such a complicated and dangerous environment?
I approached Zane’s world with an open heart and a deep sense of empathy. It was important for me to understand the psychological and emotional toll that being in a cult could have on someone. I focused on humanizing her experience, knowing that she wasn’t just a victim of her circumstances but a soul yearning for love and connection. It’s a painful journey, but one that offers hope in the end. That was my guiding light.
suit. Jean Paul Gaultier
opposite
shirt. Shushu Tong
earrings. Jenny Bird
suit. Jean Paul Gaultier
opposite
shirt. Shushu Tong
earrings. Jenny Bird
Credits
The chemistry between the cast plays a big role in the show’s tension. What has the dynamic been like with your co-stars, and how do you support each other through the heavier moments on set?
The dynamic with my co-stars is incredibly grounding. We truly lean on each other, both on-screen and off-screen, to create a safe space where we can give our all without holding back. During the heavier moments, we check in with each other, offering love and encouragement. The bond we’ve built as a cast has created a deep sense of trust that allows us to explore these intense moments without fear, knowing we have each other’s support.
Are there any memorable behind-the-scenes moments or stories from filming ‘Ruthless’ that stand out to you?
There are so many beautiful moments on set, but one that always stays with me is the way we all come together at the end of a long day, just to share stories, laughs, and encourage each other. Those moments of connection remind me that while the work can be intense, the relationships we build along the way are what really make the journey special. It’s the lightness and laughter we share that helps balance the weight of the stories we’re telling.
‘Ruthless’ doesn’t shy away from heavy societal themes. What conversations do you hope the show sparks, and what do you think it adds to the broader dialogue about control, freedom, and identity?
I hope that ‘Ruthless’ sparks conversations about the importance of self-awareness, healing, and reclaiming one’s voice. The show touches on dark and complex issues like human trafficking and the manipulation of vulnerable individuals, highlighting how some can be influenced when they feel they have few choices or opportunities. It’s about recognizing that while there are forces in life that may try to control or manipulate us, we also have the power to break free and step into our truth. I believe the show adds to the broader dialogue by highlighting how much of our identity is shaped by our freedom to choose and be authentic and how crucial it is to support each other in that journey—especially for those whose voices have been silenced.
How did your journey into yoga and meditation begin, and what drew you to teacher training with over 550 hours of practice?
My journey into yoga and meditation began as a way to reconnect with myself—mind, body, and spirit. I was drawn to the practice for its ability to cultivate peace and clarity. While I no longer practice in the traditional sense, pursuing over 550 hours of teacher training was a natural step to deepen my understanding and explore another spiritual lineage. I trained at a school rooted in classical teachings aligned with Eastern thought, and though yoga is now a chapter in my past, it remains a meaningful reminder of the power of stillness and mindfulness. Today, that influence flows into my faith in Yahweh, where I embrace the presence of the great I AM, trusting in stillness and peace to guide me in every aspect of life.
Has your yoga and meditation practice influenced your approach to acting, especially in portraying such a complex character like Zane on Ruthless?
Yoga and meditation were essential tools in my journey to stay grounded and present, helping me connect deeply with my characters. With Zane, those practices—especially meditation—guided me to approach her with calmness and awareness, even in her most intense moments. Now, I carry everything I’ve learned and trust that I am being led through each role with clarity and purpose.
You started creating neighborhood performances and short films at a young age. What inspired you to tell stories back then, and how has your creative voice evolved since?
From a young age, I was always drawn to the power of stories and how they could connect people. Growing up in a military family, I moved through many different neighborhoods, each with its own unique energy and experiences. Constantly adapting to new environments showed me the importance of sharing stories to create understanding and empathy. Over time, my creative voice has evolved with a deeper sense of self, grounded in love and faith. Now, I tell stories with the intention of bringing healing and inspiration, with the purpose of using my art to empower others.
Whether it’s acting, wellness, or advocacy, what are some upcoming projects or dreams you’re excited to pursue in the near future?
I’m so excited for what’s ahead! I’m working on projects that merge my love for acting and music, allowing me to explore new characters and deepen my artistry. I have some exciting roles and creative collaborations in the works, as well as new music I’m looking forward to sharing. I’m also involved in mission work through my faith community, which has been a meaningful part of my journey—both through hands-on service and supporting initiatives that uplift others. There’s so much in store, and I feel blessed to be on this path, trusting that everything will unfold in its perfect time.
shirt. Saint Laurent
bra + skirt. Prada
shoes. By Far
shirt. Saint Laurent
bra + skirt. Prada
shoes. By Far
