messika | move ciselé

Diesel’s Remaster capsule is a tribute to the deep, often personal link between music and fashion. Under Glenn Martens’ direction and in collaboration with NTS Radio, the brand hands the mic to 15 DJs from across the globe — each one selecting a garment and printing it with a quote tied to a track that changed everything for them.

There’s Charisse C, the Zimbabwean-born, London-based DJ known for spotlighting Black electronic music heritage; Physical Therapy from New York, blending chaos and catharsis; Slim Soledad, bringing São Paulo’s ballroom energy to Paris; Venetta, channeling Berlin’s queer club scene along with fellow Berlin-based artist LSDXOXO; and many more contributors. Every garment reflects the individual behind it, embodying the power of a single track to reroute a life.

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Visually, Remaster pulls from the archives of tour merch and Diesel’s own design language. Sheer tanks, distressed denim, sweatshirts, miniskirts and deconstructed dresses come layered, devoré-treated or in punchy Pop colours. Streetwear meets stage-wear essentially. Accessories include updated versions of the Play bag, a new pair of Trini-D-Y sunglasses made with EssilorLuxottica, and stomp-worthy footwear like the Lake clear mule and the D-Shock boot.

But that’s not all. On April 12, Diesel heads to Shanghai for an eight-hour public festival. The tour continues in Tokyo, Osaka and Nagoya, bringing club nights and exclusive performances to each city.

The capsule is available now online and in select stores.

photography. Sophie Jones
words. Gennaro Costanzo

Over four decades after its debut, Oakley dives back into its groundbreaking past to reintroduce the MUZM Eyeshade, a limited-edition revival of the original Factory Pilot Eyeshade that forever changed sports performance eyewear. In 1984, when athletes were battling light leaks with makeshift fixes — a coat hanger, a goggle lens, electrical tape — Oakley’s pioneering wraparound design set a new standard. Today, that same inventive spirit is reborn with modern materials and forward-thinking technology.

The updated design stays true to the original wraparound silhouette but introduces modern materials and technology. Available in two limited-edition colourways — White with Prizm™ Road and Cool Grey with Prizm™ Low-Light—it features Prizm™ Lens Technology for enhanced contrast and clarity. Adjustable ear-stems and Unobtainium nose pads ensure a secure fit, keeping the focus on performance.

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Set to release on April 3, the MUZM Eyeshade is available online, in select Oakley stores, and through retail partners worldwide.

photography. Oakley
words. Gennaro Costanzo

For Spring/Summer 2025, Y-3 hands the creative reins to longtime collaborators Petra Collins and Moni Haworth, who craft a visual narrative rooted in duality, creativity, and the unseen threads that connect us. Shot in Los Angeles, the campaign unfolds like a quiet meditation, blurring the line between subject and storyteller, past and present, reality and dream.  

At its core, the project is inspired by quantum entanglement, the idea that certain bonds exist beyond space and time. It’s a fitting concept for a collection that embodies the ongoing synergy between Yohji Yamamoto and adidas, and for the partnership between Collins and Haworth, whose artistic dialogue continues to evolve. Captured through Haworth’s lens, the imagery plays with perception, shifting between different versions of Collins — sometimes the observer, sometimes the observed — echoing her own relationship with the camera.  

A short film extends this exploration, centring on a phone call between the two as they discuss dreams, those brief yet powerful moments of imagination. Against this backdrop, Y-3’s latest pieces, including the Y-3 REGU MARY JANE and Y-3 REGU BOOT, emerge as part of an ethereal, in-between world.  

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Petra Collins and Moni Haworth’s vision for Y-3 Spring/Summer 2025 is available from today. Find out more here.

photography. Petra Collins, Moni Haworth
words. Gennaro Costanzo