lanvin aw25 | an illustrious legacy

Ten c’s Autumn/Winter 25 collection, unveiled in Milan, is a study in sartorial pragmatism meets earthy romanticism. Designer Alessandro Pungetti has crafted a line that speaks to our current moment: a desire for functionality tempered by a yearning for connection to the natural world.

The palette — a rich tapestry of rust, burnt orange, and deep browns — draws directly from the earth’s own pigments. It’s a clever nod to sustainability without resorting to overt eco-messaging. The brand’s iconic OJJ fabric (Original Japanese Jersey), now dyed in Desert Sienna hues, showcases a commitment to craftsmanship that results in pieces as unique as fingerprints.

Pungetti’s reinterpretation of the men’s suit is particularly noteworthy. By pairing trousers and overshirts with light mid-layer down jackets, he’s created a uniform for the modern man who demands versatility without sacrificing style. It’s a shrewd move, acknowledging the shifting definitions of formalwear in a post-pandemic world.

The introduction of Rubber Coated Gabardine is Ten c’s technological flex. This fabric, with its military heritage and practical applications, elevates classics like the Fishtail Short Parka from mere outerwear to functional armour against the elements.

Yet, for all its technical prowess, the collection doesn’t lose sight of its sartorial roots. The inclusion of wool, flannel, and velvet — reimagined through a technical lens — bridges the gap between tradition and innovation. It’s a balancing act that Ten c executes with finesse.

This collection is not revolutionary, but it is relevant. Ten C’s purpose isn’t to evoke nostalgia or follow fleeting trends. Instead, it constructs a wardrobe that feels elemental — anchored in material, forged through a process, and designed to endure time.

Discover the collection here.

photography. Ten C
words. Gennaro Costanzo

Four-time Formula 1 World Champion Max Verstappen is trading pit stops for photo shoots as he takes on a new role as Official Global Ambassador for AlphaTauri, Red Bull‘s premium fashion brand. The Dutch racing prodigy will be showcasing AlphaTauri’s sleek designs at all 24 stops of the 2025 F1 season, proving he’s as comfortable in everyday wear as he is in a racing suit. “I’ve been wearing AlphaTauri for a while now, and I’m excited to be part of this collaboration,” Verstappen shares. “Their commitment to combining style with functionality fits perfectly with my lifestyle, both on and off the track.”  

With a relentless schedule that spans continents, Verstappen values comfort without compromise. “For me, to be able to wear stylish clothing on and around the track, and back at home, is just fantastic. Honestly, I use it everywhere I go,” he says.  

The announcement comes as Verstappen gears up for the 2025 season alongside his new teammate, Liam Lawson. After a dominant yet demanding 2024, he’s looking ahead with focus: “Winning four world titles has been a dream — more than a dream, I’d say. Now, I’m just looking forward to seeing how competitive we can be this year.” For AlphaTauri, partnering with a champion like Verstappen is a natural fit. “He embodies excellence and passion, making him the perfect brand ambassador,” says Kalle Lauterbach, Global Consumer Products CEO. Global Head Isabelle Mi-A Ko adds: “As a premium fashion lifestyle brand, we ensure all-day comfort and style, and Max Verstappen is the perfect representation of that.”  

Rooted in innovation, AlphaTauri merges high-performance materials with refined aesthetics, catering to those who demand both form and function. Available online and in select stores, the brand continues to expand its influence, including a partnership with the Austrian Olympic Committee for the 2026 Winter Games.  

With Verstappen at the helm, AlphaTauri is setting the pace for the future of sports-inspired luxury fashion.

Find out more here.

photography. Yasser Almhna, David Klopman
words. Gennaro Costanzo

New York Fashion Week just got a whole lot more surreal, and you can thank Thom Browne for that. For Autumn 2025, 2.000 origami birds filled the runway space, setting the stage for a collection that’s as much about freedom as it is about precision. Inspired by a pair of caged lovebirds, Browne transforms his longing into an exploration of self-expression, told through sharp tailoring, surrealist motifs, and a touch of theatricality.

The collection plays with contrasts — heritage tweeds reworked into unexpected silhouettes, oversized varsity jackets clashing with delicate crystal embellishments, and sculptural skirts that twist and reshape movement itself. A pair of tweed-clad “ornithologists” looked on as models walked in meticulously constructed looks that challenged tradition while embracing it in the most Browne-esque way possible.

There’s a collegiate thread running through the collection — a tweed football pinnie, a deep brown varsity jacket stamped with “65” — but this is no uniform. Instead, Browne reimagines classic tailoring with elongated jackets, strong shoulders, and fluid skirts ranging from micro to floor-length. His signature trompe l’oeil technique makes an appearance, too, with a 3,500-crystal dress that catches the light like a wearable sculpture.

And then there are the birds — not just in the air but on the clothes themselves. In a surrealist take on embroidery, herons with exaggerated legs and magpies clutching emerald-green crystals appear on coats and jackets, their forms created through an “exquisite corpse” design process. The effect is a dreamlike sense of movement, even when the models stand still.

That movement carries through in the fabrics, from bouclé yarns and shimmering silk ribbons to tweeds infused with feather-like threads. Browne’s signature red, white, and blue palette gets a jolt of energy with pops of canary yellow — a nod to his high school mascot. The silhouettes themselves feel like an evolution of his past work: skirts and coats sculpted by pleating, origami-inspired dresses backed with raw petticoats, and one final look that could have walked straight out of an old-world couture salon — a gold bullion-embroidered jacket worn over 40 meters of draped heritage tweed. You can almost imagine Doechii wearing this on the next red carpet, seeing as her latest fits suggest her as a prime Browne muse.

Accessories complete the fantasy: Hector bags, spectator shoes veiled in argyle stockings, and meticulous detailing down to the last stitch. Every piece is considered, every moment designed to tell a story of transformation.

With Origami, Thom Browne has challenged us to embrace the fantastical, to revel in individuality, and to dare to dream as boldly as the birds in his sky.

Discover the collection here.

photography. Sam Lort, Gregoire Avenel 
words. Gennaro Costanzo