In the true spirit of rock & roll, The Voyeur, a Schön! Issue 24 editorial, celebrates all things bold & glamourous. Photographer Robert John Kley delves into the glitz & glitter that embodies the performative brilliance of rock & roll. Head behind-the-scenes with this exclusive video, and be sure to check out Schön! on iPad and tablets for the full editorial.
This Schön! Issue 24 editorial has been produced by
Photographer / Robert John Kley Creative Direction, Production & Styling / Jimi Urquiaga Video / Montgomery Fisher @ Viral Punk TV Models / Gryphon O’Shea @ LA Models Kelly Kopen @ Photogenics Model Management Grace Cheng @ Wilhelmina Models Polina Synyavska @ Pinkerton Models Make Up / Homa Safar using Givenchy Hair / Kien Hoang using Oribe Haircare Manicurist / Lisa Pena-Wong using CND Vinylux Photography Assistant / Ryne Belanger Styling Assistants / Kay Schiebel & Antigua Soneurson Hair Assistants / Roz Corpus & Tonya Le
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In this renewal-inspired editorial, Schön! celebrates transformation, strength, and empowerment. The “shedding skin” motif symbolizes letting go of the old and embracing a bold, unapologetic self within. Photographed by Cengizhan Ergün with videography by Çağla Polat and Burak Bacacı. Creative direction for the editorial is by İrem Derya Kaplan who also styles Eva Varlamova in looks by Burberry, H&M Edition, Sudi Etuz, and others. Hair by stylist Diyar Şekel with make up by Birce Selçik.
full look. Sudi Etuz
shoes. H&M Edition
gloves. Eli Peacock
opposite
full look. Burberry
full look. Sudi Etuz
shoes. H&M Edition
gloves. Eli Peacock
opposite
full look. Burberry
Credits
dress. H&M Edition
leggings. Calzedonia
opposite
full look. Maje
dress. H&M Edition
leggings. Calzedonia
opposite
full look. Maje
Credits
full look. Burberry
opposite
dress. Sudi Etuz
full look. Burberry
opposite
dress. Sudi Etuz
Credits
full look. Sudi Etuz
shoes. H&M Edition
gloves. Eli Peacock
opposite
dress. The Kooples
shoes. COS
full look. Sudi Etuz
shoes. H&M Edition
gloves. Eli Peacock
opposite
dress. The Kooples
shoes. COS
“I look at my path and I think that I belong to it more than it belongs to me.”
Every path taken is, in truth, several paths at once: what was, what never happened, and what only existed in our imagination. “Caminito” explores the endless process, where time stretches and each step pushes us forward. With Juanjo Almeida as the protagonist, it moves from the intimate to the universal.
jacket top. PONDER.ER
skirt. Fax Copy Express
tabi shoes. Stylist’s Own
jacket top. PONDER.ER
skirt. Fax Copy Express
tabi shoes. Stylist’s Own
Credits
“Black Hole” redefines emptiness not as an absence, but as a threshold of possibilities where what remains hidden holds as much weight as what is revealed. The film, directed by Spanish photographer and filmmaker Federico Reparaz, explores interstitial spaces that oscillate between the beautiful and the unsettling, the evident and the concealed. Spaces that are structured through the paradoxes of the fleeting and the suspended. The project also investigates the notion of emptiness not merely as an absence, but as a realm of possibility where what is left unseen is just as significant as what is revealed.
Shot entirely on the iPhone 16 Pro Max, this choice of medium was driven by its ability to deliver a precise and detailed visual aesthetic while simultaneously allowing for an ethereal, dreamlike atmosphere. The film follows model and writer Aine O’Leary as she recites the opening lines of a National Geographic documentary on black holes, moving through different locations in a wintery Normandy — a forest, the river’s edge, the ruins of an abandoned house. The tension arising from her presence within these liminal landscapes, between what is spoken and what remains unsaid, between beauty and eeriness, immerses the viewer in a state of uncertainty, making them an active participant in the visual narrative’s resolution. Shot alongside Erea Azurmendi and edited by Manu Azurmendi, the creative team also includes stylist Giorgia Ferrari and makeup artist and hairstylist Aniela Fik.
