In the true spirit of rock & roll, The Voyeur, a Schön! Issue 24 editorial, celebrates all things bold & glamourous. Photographer Robert John Kley delves into the glitz & glitter that embodies the performative brilliance of rock & roll. Head behind-the-scenes with this exclusive video, and be sure to check out Schön! on iPad and tablets for the full editorial.
This Schön! Issue 24 editorial has been produced by
Photographer / Robert John Kley Creative Direction, Production & Styling / Jimi Urquiaga Video / Montgomery Fisher @ Viral Punk TV Models / Gryphon O’Shea @ LA Models Kelly Kopen @ Photogenics Model Management Grace Cheng @ Wilhelmina Models Polina Synyavska @ Pinkerton Models Make Up / Homa Safar using Givenchy Hair / Kien Hoang using Oribe Haircare Manicurist / Lisa Pena-Wong using CND Vinylux Photography Assistant / Ryne Belanger Styling Assistants / Kay Schiebel & Antigua Soneurson Hair Assistants / Roz Corpus & Tonya Le
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The project reimagines the traditional dynamics of editorial fashion, offering a bold and dreamlike interpretation of the “pull letter” concept. The process of sourcing garments from brands is often a delicate dance of negotiation, where access is never guaranteed, and even the most coveted pull letter cannot always unlock the desired pieces. This editorial dares to blur the lines between reality and illusion, replacing physical garments with hyper-realistic printed replicas—transforming fashion into an exquisite mirage.
Freed from the constraints of availability and brand permissions, this visionary approach opens the door to limitless creativity, where style exists untethered from logistics. Each meticulously crafted print is seamlessly woven into styled scenes, playing with perception and elevating fashion to the realm of the surreal. Against a backdrop of towering boxes, scattered paperwork, and the quiet chaos of a stylist’s world, the editorial captures the unseen labor behind fashion’s polished façade.
At its core, this project is an invitation—to rethink access in fashion, to challenge the industry’s rigid structures, and to explore the boundless nature of creativity when imagination leads the way. Featuring photography by Ragazzi Nei Paraggi, set design by Jessica Zorzin and Beatrice Bonetto, with fashion by Giulia Lombardi who styles model Estefanía Thaler Op de Beec in looks by Miu Miu, Loewe, Marni and others, with make up by Clarissa Carbone.
“Who are we? The human breed comes naked to this place called the fear machine. Crawling out in bloody slime, multiplying pain and crime. And when the earth is slowly burning, the killer girl slips in a boundless uniform. Destructive nature of the fire, delusion only sees. Illuminating thoughts in void, as nothingness what fire fears. Killer girl brings suffocation, expression through the bonds of being. Turned off machine, turns off the lights, in darkness finally sees the heart, the killing of the flame, and finally, death to the eyes.
Isaac is a fragmented narrative told through the voices of four characters and the observant perspective of Isaac, a young man captivated by scars and bodily marks. Structured episodically, each character reveals their personal story, weaving a vivid portrait of fictional figures born from imagination.
Born from a collaboration between director of photography Pablo Garrido Carreras, filmmaker Serjiososo, and fashion photographer Majo Válido, the film centers around portraits of imagined characters, presenting them as though they were individuals encountered in everyday life and social settings in Madrid. Shot in black and white on 16 mm film using a Bolex camera during the springtime, the work explores the intersection of portraiture, fashion, and fiction all while crafting characters and capturing their essence in a seamless blend of image and voice.