make up. YSL Beauty Couture Mini
Clutch Luxury Eyeshadow Palette Shade
Palmaraie Skies
top. Mugler
opposite
make up. Mario Surreal skin
foundation shade 2N, MASTER
METALS ® Eyeshadow Palette +
MASTER PIGMENT PRO Shade
Super Black
earring. Alexander Wang
make up. YSL Beauty Couture Mini
Clutch Luxury Eyeshadow Palette Shade
Palmaraie Skies
top. Mugler
opposite
make up. Mario Surreal skin
foundation shade 2N, MASTER
METALS ® Eyeshadow Palette +
MASTER PIGMENT PRO Shade
Super Black
earring. Alexander Wang
“I look at my path and I think that I belong to it more than it belongs to me.”
Every path taken is, in truth, several paths at once: what was, what never happened, and what only existed in our imagination. “Caminito” explores the endless process, where time stretches and each step pushes us forward. With Juanjo Almeida as the protagonist, it moves from the intimate to the universal.
make up. (skin) Danessa Myricks Yummy Skin, (eyes) Danessa Myricks
Bunny + Petals Colorfix, (Lips) MAC Cosmetics St. Germain Lipstick +
Clear Lipglass + (cheek) Dior Glow Palette
dress. Zimmermann
make up. (skin) Danessa Myricks Yummy Skin, (eyes) Danessa Myricks
Bunny + Petals Colorfix, (Lips) MAC Cosmetics St. Germain Lipstick +
Clear Lipglass + (cheek) Dior Glow Palette
dress. Zimmermann
Credits
Dazzle with Chenyin in this Schön! editorial photographed and creative directed by Jae Eun Seok. Iryna Li styles Chenyin in looks by Zimmermann, Isabel Marant, Max Mara and others with hair by Cassie Carey and make up by artist Mai Mor.
jacket top. PONDER.ER
skirt. Fax Copy Express
tabi shoes. Stylist’s Own
jacket top. PONDER.ER
skirt. Fax Copy Express
tabi shoes. Stylist’s Own
Credits
“Black Hole” redefines emptiness not as an absence, but as a threshold of possibilities where what remains hidden holds as much weight as what is revealed. The film, directed by Spanish photographer and filmmaker Federico Reparaz, explores interstitial spaces that oscillate between the beautiful and the unsettling, the evident and the concealed. Spaces that are structured through the paradoxes of the fleeting and the suspended. The project also investigates the notion of emptiness not merely as an absence, but as a realm of possibility where what is left unseen is just as significant as what is revealed.
Shot entirely on the iPhone 16 Pro Max, this choice of medium was driven by its ability to deliver a precise and detailed visual aesthetic while simultaneously allowing for an ethereal, dreamlike atmosphere. The film follows model and writer Aine O’Leary as she recites the opening lines of a National Geographic documentary on black holes, moving through different locations in a wintery Normandy — a forest, the river’s edge, the ruins of an abandoned house. The tension arising from her presence within these liminal landscapes, between what is spoken and what remains unsaid, between beauty and eeriness, immerses the viewer in a state of uncertainty, making them an active participant in the visual narrative’s resolution. Shot alongside Erea Azurmendi and edited by Manu Azurmendi, the creative team also includes stylist Giorgia Ferrari and makeup artist and hairstylist Aniela Fik.
