fondazione dries van noten | first look

When Dries Van Noten stepped down from his namesake brand in June 2024, the fashion world held its collective breath, wondering what a man so famously obsessed with beauty, gardening and the slow pace of creation would do next. The answer has officially arrived today, as the shadows lift on the Fondazione Dries Van Noten, a cultural landmark in Venice that feels like a profound thank you to the world of making.

The concept of retirement never really captivated Van Noten. While the Belgian designer focuses his energy on this new cultural venture, his eponymous brand continues its journey under the leadership of his chosen successor, Julian Klausner, who was promoted internally in December 2024. Though the founder has stepped away from the day-to-day fashion cycles, the Fondazione acts as a meeting point between the very craft and material innovation that defined his collections for decades.

Launching in April 2026, the foundation is the vision of Van Noten and his long-term partner, Patrick Vangheluwe. It finds its home in the breathtaking Palazzo Pisani Moretta, a 15th-century Venetian Gothic treasure perched on the Grand Canal. While the palazzo is renowned for its Tiepolo frescoes and Rococo grandeur, the founders aren’t interested in creating a static museum. As they explain, “We fell in love with the Palazzo Pisani Moretta not as a monument frozen in time, but as a stage for creativity.”

The philosophy behind the project is rooted in the idea of ‘thinking with one’s hands.’ The foundation intends to dissolve the traditional boundaries between high art and functional craft, bringing together voices from architecture, jewellery, ceramics and even food and singing. 

For Van Noten, the motivation is deeply personal. He notes that “fashion has given us so much, and now we want to give back to support craft.” It is an invitation to experience making as a cultural act, especially relevant in what the founders describe as the “age of machines and digital revolution.”

Venice was a deliberate choice, moving past its reputation as a tourist backdrop. Van Noten describes it as “a city full of life, from its markets to its young residents, with a one-of-a-kind cultural stimulus.” The foundation aims to harness this energy, turning the palazzo into a “pulsing venue” where students can engage in hands-on exploration and established masters can present their work. The mission will unfold through a year-round calendar of residencies, collaborative projects and educational programmes. 

Looking ahead, the foundation’s footprint in the city will expand further. While the Palazzo Pisani Moretta undergoes a careful heritage renovation led by Venetian architect Alberto Torsello, a second site will follow in late 2026. This second location, Studio San Polo, is being redesigned by Giulia Foscari to offer a more minimal, experimental arena for creative exploration.

By connecting the city’s past with its creative future, Van Noten and Vangheluwe are ensuring that the craftsmanship which has long shaped our cultural identity remains visible, relevant and vital within the walls of the Fondazione Dries Van Noten.

 

Find out more here.

photography. courtesy of Camilla Glorioso
words. Gennaro Costanzo