duranimal | duran lantink’s wild autumn/winter 2025 campaign

Duran Lantink is back with DURANIMAL, his Autumn/Winter 2025 campaign that asks: what happens when fashion goes feral? Shot by Jurgen Teller and styled by Jodie Barnes, the series plants its stars – it-model Alex Consani and runway anarchist Leon Dame – in scenes that feel like an absurd documentary. The visuals see the duo dropped into staged natural environments and submerged spaces that look suspiciously like zoo habitats.

Consani, who’s basically rewriting the rulebook on what a model can be, delivers that trademark mix of cool poise and feral edge. Dame, meanwhile, goes full primal, painted in zebra stripes, stripped down to little more than speedos, and serving up the same unhinged energy that once turned a Paris runway into his personal punk-rock stage. Together, they’re giving us beauty vs beast, but in a way where neither side wins – or loses.

The campaign features pieces from Lantink’s latest AW25 collection, and trust, this is where things get wild. He plays with gender and proportion in ways that hit different: prosthetic male chests, male models rocking voluptuous prosthetic breasts, funnel-neck catsuits with padded hips, and that snakeskin lampshade-skirted mini dress. Plus, he served up some serious high-concept pieces, like jeans that were literally just suspended in front of the body. He’s not afraid to get a little unhinged with his designs, and it shows.

For anyone following Lantink’s ascent, this is no surprise. The Amsterdam-based designer has built his name on a ‘collage’ technique – upcycling discarded luxury fabrics and deadstock into surreal, editorial-ready constructions. He’s the mind behind Janelle Monáe’s infamous ‘vagina pants’ and those layered, mismatched designer sneakers. But the real breakthrough came with his Spring/Summer 2024 collection, which featured bulbous, padded proportions and surreal silhouettes that instantly became editorial darlings.

The clothes in DURANIMAL lean into that chaos, too. Velvet collides with canvas, tailoring is stretched and skewed, and fabrics hang heavy or slip away. Teller, true to form, keeps the images raw, embracing wet hair, grit, and blurred reflections. Barnes threads it all into something that feels less like a collection and more like a living experiment – a beautiful clash of animal instinct and couture craft.

DURANIMAL doesn’t try to be pretty; it’s tactile, unruly, and maybe even uncomfortable – and that’s exactly the point. It’s about asking: how animal are we willing to get? Luckily, Consani and Dame are here to show us how it’s done.

photography. courtesy of Jurgen Teller
words. Gennaro Costanzo