Brooklyn born, South London based artist Goya Gumbani has deftly created a discography that is as unique and powerful as he is. Bringing together jazz, soul, and hip-hop, Gumbani blends intricate lyricism with sounds that blur the lines to create a kaleidoscope of sonics that are equal parts emotional and passionate.
His latest release “Till Then” embodies this message. Speaking on the song, Gumbani states, “Till Then is a track about working towards the future. For a while I felt stuck about where I was and where I wanted to be. The positioning of life can’t be ignored forever.”
blazer, trousers + shoes. Labrum
tank top. Scott Fraser Collection
hat + necklace. Talent’s Own
opposite
blazer, trousers + shoes. Labrum
tank top. Scott Fraser Collection
hat + necklace. Talent’s Own
blazer, trousers + shoes. Labrum
tank top. Scott Fraser Collection
hat + necklace. Talent’s Own
opposite
blazer, trousers + shoes. Labrum
tank top. Scott Fraser Collection
hat + necklace. Talent’s Own
Credits
tank top. Scott Fraser Collection
hat. Talent’s Own
necklace. Missoma + Talent’s Own
opposite
tank top. Scott Fraser Collection
hat. Talent’s Own
necklace. Missoma + Talent’s Own
tank top. Scott Fraser Collection
hat. Talent’s Own
necklace. Missoma + Talent’s Own
opposite
tank top. Scott Fraser Collection
hat. Talent’s Own
necklace. Missoma + Talent’s Own
Credits
blazer, trousers + shoes. Labrum
tank top. Scott Fraser Collection
hat + necklace. Talent’s Own
opposite
hat. Talent’s Own
blazer, trousers + shoes. Labrum
tank top. Scott Fraser Collection
hat + necklace. Talent’s Own
opposite
hat. Talent’s Own
Credits
vest. Feng Chen Wang
trousers. Toga Archives
loafers. Talent’s Own
opposite
vest. Feng Chen Wang
trousers. Toga Archives
loafers. Talent’s Own
socks. Falke
vest. Feng Chen Wang
trousers. Toga Archives
loafers. Talent’s Own
opposite
vest. Feng Chen Wang
trousers. Toga Archives
loafers. Talent’s Own
socks. Falke
Credits
opposite
vest. Feng Chen Wang
trousers. Toga Archives
opposite
vest. Feng Chen Wang
trousers. Toga Archives
Credits
jumper + trousers. Bethany Williams
shoes. Talent’s Own
glasses. Prada
opposite
jumper + trousers. Bethany Williams
shoes. Talent’s Own
glasses. Prada
jumper + trousers. Bethany Williams
shoes. Talent’s Own
glasses. Prada
opposite
jumper + trousers. Bethany Williams
shoes. Talent’s Own
glasses. Prada
Credits
shirt. Ahluwalia
trousers. Toga Archives
shoes + hat. Talent’s Own
opposite
shirt. Ahluwalia
trousers. Toga Archives
hat. Talent’s Own
shirt. Ahluwalia
trousers. Toga Archives
shoes + hat. Talent’s Own
opposite
shirt. Ahluwalia
trousers. Toga Archives
hat. Talent’s Own
Credits
top. Hugo Boss
necklace. Soru
opposite
top. Hugo Boss
necklace. Soru
top. Hugo Boss
necklace. Soru
opposite
top. Hugo Boss
necklace. Soru
Credits
tank top. Scott Fraser Colllection
trousers. Ermenegildo Zegna
shoes + hat. Talent’s Own
opposite
tank top. Scott Fraser Colllection
trousers. Ermenegildo Zegna
shoes + hat. Talent’s Own
tank top. Scott Fraser Colllection
trousers. Ermenegildo Zegna
shoes + hat. Talent’s Own
opposite
tank top. Scott Fraser Colllection
trousers. Ermenegildo Zegna
shoes + hat. Talent’s Own
Credits
suit. Erdem
loafers + hat. Talent’s Own
sunglasses. Prada
necklace. Soru
opposite
suit. Erdem
hat. Talent’s Own
sunglasses. Prada
necklace. Soru
suit. Erdem
loafers + hat. Talent’s Own
sunglasses. Prada
necklace. Soru
opposite
suit. Erdem
hat. Talent’s Own
sunglasses. Prada
necklace. Soru
Credits
suit. Erdem
loafers, hat + bag. Talent’s Own
sunglasses. Prada
necklace. Soru
suit. Erdem
loafers, hat + bag. Talent’s Own
sunglasses. Prada
necklace. Soru
top. Mango
petticoat. Dalila
shoes. Alma en Pena @ Vía Comunicación
net + tights. El Món del Faller
jewellery. Vintage
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
top. Mango
petticoat. Dalila
shoes. Alma en Pena @ Vía Comunicación
net + tights. El Món del Faller
jewellery. Vintage
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
Credits
Through a creative partnership between the Master of Arts in Photography program at LABA Valencia and Schön! Magazine, La Terreta was born. LABA Valencia, a distinguished member of the renowned Italian LABA network, is a forward-thinking institution specializing in contemporary visual arts education. Its Master of Arts in Photography program blends tradition with modernity, encouraging innovative techniques and compelling visual storytelling.
At the heart of this project is a celebration of Valencia’s unique identity, where history and heritage meet contemporary photography. The concept draws inspiration from la terreta—a term that embodies the Valencian connection to its land, traditions, climate, and emotions. This deep-rooted essence is reflected in the region’s rich cultural tapestry, from its vibrant gastronomy to iconic festivities like the Fallas, bonfires, and the Magdalena celebrations. Through a carefully curated selection of heritage-infused locations, symbolic elements such as oranges, and distinctive styling, this editorial encapsulates the spirit of Valencia. By merging analog and digital photography, the editorial creates a timeless visual dialogue that bridges the past and present.
shoes. Zapaterías Juan Ramón
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two-piece set. Georgiela Studio
shoes. Alma en Pena @ Comunicación
fallera jewellery set. Dalila
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
shoes. Zapaterías Juan Ramón
opposite
two-piece set. Georgiela Studio
shoes. Alma en Pena @ Comunicación
fallera jewellery set. Dalila
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
Credits
top. Mango
petticoat. Dalila
jewellery. Vintage
net. El Món del Faller
opposite
trousers. Álvaro Calafat @ EBRA Studio
fallera shoes. Paco Ochoa
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
top. Mango
petticoat. Dalila
jewellery. Vintage
net. El Món del Faller
opposite
trousers. Álvaro Calafat @ EBRA Studio
fallera shoes. Paco Ochoa
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
Credits
shirt. Álvaro Calafat @ EBRA Studio
skirt. Versace
fallera jewellery set. Dalila
opposite
two-piece set. Georgiela Studio
shoes. Alma en Pena @ Comunicación
fallera jewelry set. Dalila
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
shirt. Álvaro Calafat @ EBRA Studio
skirt. Versace
fallera jewellery set. Dalila
opposite
two-piece set. Georgiela Studio
shoes. Alma en Pena @ Comunicación
fallera jewelry set. Dalila
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
Credits
two-piece set. Moschino
shoes. Zapaterías Juan Ramón
necklace. Vintage
A production of the Master of Arts in Photography LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
two-piece set. Moschino
shoes. Zapaterías Juan Ramón
necklace. Vintage
A production of the Master of Arts in Photography LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
Credits
shirt. Álvaro Calafat @ EBRA Studio
skirt. Versace
shoes. Dolce & Gabanna
fallera jewellery set. Dalila
opposite
top. Mango
petticoat. Dalila
net. El Món del Faller
jewellery. Vintage
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
shirt. Álvaro Calafat @ EBRA Studio
skirt. Versace
shoes. Dolce & Gabanna
fallera jewellery set. Dalila
opposite
top. Mango
petticoat. Dalila
net. El Món del Faller
jewellery. Vintage
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
Credits
two-piece set. Álvaro Calafat @ EBRA Studio
fallera shoes. Paco Ochoa
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
two-piece set. Álvaro Calafat @ EBRA Studio
fallera shoes. Paco Ochoa
A production of the Master of Arts in Photography
LABA Valencia · School of Art, Design & New Media
Concept: Tonet Núñez, Daniel Castañedo and Alejandra Baidon
Photography: Alejandra Baidon
Lighting and videography: Daniel Castañedo
Art: Tonet Núñez
Emerging London-based shoe designer Ancuta Sarca has taken on a new challenge: using scent to inspire her footwear design. The Romanian designer, who is known for her individual sneaker-heel combo, debuted at London Fashion Week in 2019 as part of Fashion East and, since then, she has taken the industry by storm, not only carving out her own place on the border of sportswear and luxury but also with her commitment to circular fashion.
Selected as Molton Brown’s newest ‘Artists of Note’ – which brings in a creative to reimagine a fragrance through their own practice – Sarca was tasked with creating a shoe that perfectly encaptures the brand’s new Bluebell and Wild Strawberry scent. With bluebell at the heart, a top note of wild strawberry, warm amber and driftwood at the base, and Molton Brown’s signature note of earthy violet leaf, the fragrance encapsulates spring’s vibrant nature. Created by Senior Perfumer Véronique Nyberg, it is based on her walks in nature and memories of her childhood in Alpes-de-Haute-Provence.
Embodying the scent in shoe form, Sarca used deadstock purple velvet and leather to design a pointed-toe kitten heel mule. On the top sat a blue flower motif – synonymous with Sarca’s designs – made from deadstock trainers and featuring her logo in the centre.
In conversation with Schön!, Sarca details working with Molton Brown and designing a shoe inspired by scent.
Firstly, I want to congratulate you on your collaboration with Molton Brown! You were tasked with designing a pair of shoes inspired by their new Bluebell & Wild Strawberry scent. What initially prompted you to be a part of this project?
What really excited me from the beginning was the idea of designing something based on scent, which I hadn’t done before, so it came as an intriguing challenge that really excited me. I already loved Molton Brown products, so it felt right and very aligned with my brand to work on something like this.
How did it feel to be selected for the brand’s latest ‘Artists of Note’ instalment?
It feels really exciting to be part of this collaboration. Molton Brown gave me a great deal of creative freedom, which allowed me to approach the project in my own authentic way. That trust made the process even more inspiring because I could craft something unique that genuinely resonated with my artistic voice while still aligning with the story behind the fragrance.
You mentioned that you haven’t worked much with scent before. What has that been like to do within this project?
Scent hasn’t traditionally been a direct part of my creative process when designing footwear. I usually focus on texture, colour, and form as key sources of inspiration. However, this project opened up an entirely new sensory avenue for me. Translating an olfactory experience into a visual and tactile product was a fascinating challenge and encouraged me to think differently about storytelling through design.
What was your initial reaction or thought when you smelled the perfume?
The first thing that struck me was how vibrant and fresh it felt. It carried an earthy depth, like the memory of a serene walk in nature. There was a harmonious balance between energy and calm, which I knew would be important to translate into my design.
What notes of the scent did you hone in on, and how did they manifest into aspects of your footwear design?
I was particularly drawn to the purple, green, and woody elements. They reminded me of textures found in nature – the contrast between smooth leaves and rough bark. That contrast became a central theme for my design choices. I incorporated structured yet organic shapes and selected materials with subtle textures to mirror the duality of the scent.
The scent is inspired by perfumer Véronique Nyberg’s love for walks in nature. How did that inspiration shape your design process?
I wanted to capture the feeling of reconnecting with nature – the sense of calm but also that spark of energy you get from being outdoors. This led me to experiment with earthy tones and fluid, natural forms in the design. It was about finding a balance between groundedness and elegance, much like nature itself.
What was the biggest challenge you faced while working on this collaboration?
The biggest challenge was interpreting something as intangible as scent and transforming it into a tangible product. Footwear design is such a tactile process, and I wanted the final piece to reflect not just the essence of the scent but also the emotions it evokes. Striking that balance between inspiration and practicality required a lot of thoughtful iteration. But that challenge also made it incredibly rewarding.
full look. Louis Vuitton
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full look. Louis Vuitton
full look. Louis Vuitton
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full look. Louis Vuitton
Credits
Initially quiet and reserved, Devon Ross gradually reveals her vast artistic world. We connect with her via video call. Ross seems serene, vaping and surrounded by guitars in what looks like a music studio. She embodies a laid-back coolness that seems to flow in her veins—after all, she is the daughter of Crag David Ross, Lenny Kravitz’s lead guitarist, and former model Anna Bauer. Furthermore, her upbringing split between the shores of The Bahamas, the artistic vibe of Woodstock, and the never-ending energy of Los Angeles, has undoubtedly played a role in shaping her unique style. The more we talk, the more it is clear that her artistic journey has only just begun.
As a model, Ross has graced the catwalk of Valentino, landed a Gucci campaign, and more recently became a “friend of the house” of Louis Vuitton. Beyond modelling, Ross is a talented musician and actress. Last year, she launched her debut EP, Oxford Gardens and starred in the thriller Depravity, where she plays the role of Aria. We have also seen her alongside Alicia Vikander in the drama mini-series Irma Vep, and more recently in My First Film by Zia Anger. Presented as a film within a film, it’s an honest and insightful perspective of a young filmmaker struggling to create her first feature. Definitely not her first role, Ross plays Dina, the newly starring actress.
Speaking with Schon!, she discusses her recent role in My First Film and the challenges that come with starting in the industry, as well as the reality and struggles of any beginning.
full look. Louis Vuitton
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full look. Louis Vuitton
full look. Louis Vuitton
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full look. Louis Vuitton
Credits
Let’s go back to where it all started, to your beginnings. So tell me, what is your earliest acting-related memory?
Probably when my sister and I were around eight and ten years old. We got these little video cameras and we immediately started writing and making our own movies. She would shoot and put me in them, so that was probably my first acting memory. I remember we made a mockumentary, so a fake documentary, about being a pop star. We were pretending to be those pop stars in the studio or getting ready… Just super casual, kids at home making movies.
This is not too far from your actual day-to-day. So now that you are older, how do you choose the projects you want to work on?
I think it’s super important to understand your director and get along with them before the process. You kind of have to know what you’re diving into. For example for My First Film, Zia Anger, the director, and I got on so quickly. It’s kind of nice to get to know the director beforehand. We were always on the same page with Zia. By the time you get the job, you’ve hung out a few times already. But also I would say, just taking risks and doing things I’m not the most comfortable with, that’s the best way to learn things in life.
There’s a real honesty about My First Film, where you play the role of Dina. How was it portraying being a newly starting actress?
I could relate to her so much, the scene where she is like, “Cause I’m an actor now,” that’s literally how I felt. So preparing for that was just getting to know the story, and trying to understand the motives. I could definitely relate to her, I loved her. It really was all in the pages, it wasn’t too hard to get into it. Also, even though we never really spoke about it, “by the way, you’re not supposed to be good.” I feel like it’s something I just understood. It was kind of a mutually untold thing, that was just how it was going to be played. This girl (Dina) has never acted before; she’s just kind of a watcher, an observer which I can relate to. I’m like that as well; half introvert, half extrovert. There’s a side to me that is kind of quieter, more inquisitive.
full look. Louis Vuitton
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full look. Louis Vuitton
full look. Louis Vuitton
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full look. Louis Vuitton
Credits
What advice do you have for someone making their first movie or acting for the first time?
I just feel like you just have to go for it. It’s such a nerve-racking thing; it’s such a self-conscious experience. Obviously, your first time doing anything, you’re constantly asking yourself: “Am I doing this right? Am I good enough? Does anyone hate me?” But I think you just have to go through everything! You are there for a reason, you have to try your best to throw out your insecurities and get where you want to get. That’s the most important. I mean, my first job, I’ve spent weeks losing sleep. Why did they pick me? I’ve never even acted before. You just have to put trust in the people who chose you, have gratitude, and just do the best that you can.
My First Film is a movie within a movie. Wasn’t that too confusing to play?
It’s so funny because my first job ever was a show about making a film, and then the next one was a film about making a film, which is so funny to me. I mean, you’re around a fake film crew, with cameras, with mics and then there’s an actual crew with mics and cameras… It didn’t get confusing this time because we were all so close, so we obviously knew who everyone was. It was so fun to make something like that. It was a fun ride for sure!
What was your favourite scene to play?
The dancing scene was probably my favourite. Monica Mirabelle choreographed it. I used to be a dancer when I was younger. We filmed it on a night shoot, it was just me and Odessa (Young) on the scene and that was really fun. Also, the scene where I was trying to scream, was great! We were all so close when we filmed that, because we spent so much time together everything was fun, that scene in particular. It was all really cool to make, I can’t think of one scene that I didn’t enjoy.
There’s a real female perspective to the film. It talks about abortion and its struggles… Is that something that drew you to this project?
The script deals with things that people don’t talk about, which is so important to me. Now when my friends watch it, they’re like, “Oh my god! I’ve never seen people talk about that, or I can relate to that so much, or this happened to me.” When you write a script that’s the reaction you want from a film like this. I think films should always have real subjects, you know. It was female-directed; the DP was a female, the costume, and the make-up artist were all women… We were surrounded by females; so obviously as a woman, it’s the most comfortable environment you can be in. It wasn’t hard to take risks or try new things.
full look. Louis Vuitton
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full look. Louis Vuitton
full look. Louis Vuitton
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full look. Louis Vuitton
Credits
In which movie did you have to get out of your comfort zone and take risks?
Just recently, with the movie Vindicta, which is not out yet. It’s a period piece and it was very dialogue-heavy. I was in every scene, which I’ve never done before. There was a lot of physical work as well. I would have loved to do every stunt but wasn’t allowed to, because obviously, I would hurt myself. But it was a great new experience; it took everything to the next level. I’ve learned so much!
I know you can’t talk much about Vindicta, as it’s not out yet, but tell me more about Depravity.
That was also a pretty crazy experience! We filmed it in Bangkok, Thailand for two months. I’ve never been there before, so it was really cool. Same with the film, I was in a lot of scenes and it was a lot of physical stunts but also choreography. We even had a stunt coordinator. They would teach us how to “kill” someone, how to make it look real… You never think about that part when you are watching a movie. You think everyone goes on and does it, but actually, you have to learn how to do these specific movements and where the camera is… It’s a bit confusing at first but it was really interesting to learn.
Is there a genre or film director you would like to work with?
Oh yeah! I have a list actually, I can tell you some… I love Annie Baker, she did the film Janet Planet this year, which I thought was amazing. I’ve watched it like 4 times! Wim Wenders is one of my favourite directors of all time. I love Sean Baker, I love Jim Jarmusch and India Donaldson just did this film called Good One… I’m obsessed with movies! I can just go on and on and on.
What you would be doing if you were not an actor? What about modelling?
I thought about this the other day, I feel like I’ll still do music. Or maybe casting, it sounds like a really cool experience, but I’ll definitely still be in the creative umbrella of things for sure. I loved modelling, it came out at such a great time in my life, I was the perfect age. It was so fun; it took me to so many places and met so many people. But modelling and acting are so different. When modelling you are there for someone to show their work, your purpose is to help someone make their vision come alive, but they’re in control of it. You are a mannequin, which is fun and you have some freedom in that… But with acting, it’s much more of a collaborative experience. You are constantly being asked, “What about this? What do you think about this? What if we try this?”, especially with indie films, everyone needs to have the same amount of passion around. Everyone is so in love with what they’re doing. It’s a little piece of art that everyone needs to put passion in to come alive at the end. I enjoy both, and it’s really cool that acting comes with that and I still get to do some modelling.
What is your relationship with fashion?
I love fashion! I grew up loving fashion, forever and I still love it. I always loved vintage clothes, my parents would take me vintage shopping, finding something special and irreplaceable pieces. So I love searching for things, but you know, I also love going to an LV store and getting beautiful things. I think that modelling fortunately goes along with acting so hopefully I won’t have to stop doing it. I recently became a ‘friend of the house’ of LOUIS VUITTON, which means I can participate in all of the events and go to the fashion weeks. I get to do all the fun stuff!
What are some exciting projects you are looking forward to in 2025?
None that I can talk about really… I can tell you that I’m shooting a film called The Deputy, it’s starring Julia Fox, William H. Macy and Stephen Dorff, which I’m really looking forward to. I’m also working on Vindicta, which is a Croatian film where I play the lead role. But overall, I’m always keeping myself busy, usually with music. I wanna do everything! I would love to direct one day, I just love everything about this business.
full look. Louis Vuitton
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full look. Louis Vuitton
full look. Louis Vuitton
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full look. Louis Vuitton