The tabloid press, often dismissed as trivial and sensationalist, deserves a nuanced appreciation. Michel Houellebecq once said, “Anything can happen in life, especially nothing,” and given the huge circulation of tabloids, many seek excitement in others’ lives to escape their own monotony. This may also involve “Schadenfreude,” as it brings idealized celebrities closer to our reality, offering a moment of personal uplift. Unlike reality TV, the tabloid press’s portrayal of celebrities’ downgrading appears more reconciliatory and less mean-spirited.
René Girard’s theory of mimetic desire suggests we imitate others’ desires, with celebrities acting as models whose lifestyles and errors provoke fascination. This dynamic can have both creative and destructive outcomes. The romanticized archetype of the troubled artist, like Amy Winehouse or Kurt Cobain, transforms them into cultural icons. Conversely, celebrity scandals highlighted by tabloids can destroy careers and reputations, sometimes unjustly.
While tabloids face criticism for using shocking headlines to set societal norms and distract from pressing issues, they are also praised for democratizing information. By exposing the personal lives of the elite, tabloids reveal that even those at the top are not immune to mistakes. Ultimately, the stories in tabloid pages reflect our daily lives, just spiced up with glam, salt, and a touch of fake news.
This Schön! editorial has been produced by
photography. Ruben Meier
creative direction. Maximilian D’Antonio + Ruben Meier
fashion. Maximilian D’Antonio
models. Aaron + Lenny @ ALCATRAZ, David, Ruben, Gia Alyssa, Gia Music,
Vivien, Leonard, Emily, Samira, Flora, Ibukun + Nomin @ MIRRRS MODELS
casting. Max Mattis
hair + make up. Fabienne Hoppe
visual design. Alex Petrican
photography assistant. Vincent Möller
fashion assistant. Josephine Winkler + Sophia Friedl
hair + make up assistant. Lisa Neubacher + Rafa Delgado
special thanks. Philip Mollenkoth, Art House Rising + Friedrich Raphael