
Miu Miu.
Miuccia Prada gathered a crowd of thinkers at the Circolo Filologico Milanese for the 2026 Miu Miu Literary Club, replacing the expected fashion chatter with a three-day dive into ‘Politics of Desire.’ The event explored how the concept of wanting functions as an act of defiance. Reviving the tradition of the literary salon allowed the programme to use the work of two powerhouse authors to pick apart the messy boundaries of consent and staying true to oneself.
Annie Ernaux, the Nobel Prize-winning French author known for her uncompromising memoirs, occupied the first day as her book ‘A Girl’s Story’ forced a look back at the long shadow of a summer in 1958. Actor Dianna Agron read from the text, capturing the shift from an eighteen-year-old’s innocence to the clinical memory of the adult writer.

Miu Miu.
Later, author and curator Lou Stoppard hosted a panel with Annabelle Hirsch, a cultural journalist and author of ‘A History of Women in 101 Objects,’ alongside feminist theorist Lea Melandri and novelist Megan Nolan, whose work frequently explores the darker edges of intimacy. The talk turned to how social expectations often rewrote personal histories, while media theorist and Professor at Goldsmiths Olga Goriunova followed with a lecture on desire in the age of AI. Her session questioned how digital footprints created a fragmented version of identity that challenged traditional ideas of the self.

Miu Miu.
The evening transitioned from debate into live performances that kept the energy from becoming purely academic. Artists including Joy Crookes, Pip Millett and Towa Bird took over the space, their sets filling the central colonnaded atrium and tiered galleries with a mix of jazz-inflected soul and guitar-led melodies.
The second day turned to the legacy of the late Ama Ata Aidoo, the prolific Ghanaian writer and former Minister of Education, and her novel ‘Changes: A Love Story.’ The book followed an educated woman navigating the contrast between tradition and her own independence in post-colonial Ghana. Actor Emma Corrin, known for portraying complex internal lives on screen, brought the words to the stage to let the audience feel the weight of choices that ran head-first into patriarchal walls.

Miu Miu.
Nadia Beard, editor-in-chief of ‘The Calvert Journal,’ facilitated a conversation between Liberian-American novelist Wayétu Moore, Italian writer Francesca Marciano and the influential Dutch-Surinamese academic Gloria Wekker. Their discussion unpacked the political weight of self-determination across different cultures. Author and academic Katherine Angel, who wrote ‘Tomorrow Sex Will Be Good Again,’ led a session on the ethics of vulnerability and the difficulty of defining consent in a world that demands clear-cut answers.
Philosopher and Distinguished University Professor at Utrecht University Rosi Braidotti curated a physical library inside the venue, stocking shelves with everyone from Simone de Beauvoir to Audre Lorde. Open shelves served as an invitation to treat knowledge as something shared rather than a prize to be won. The final day saw the space become a communal reading room where people lingered among the stacks, letting the ideas settle.
Miuccia Prada’s lifelong habit of treating books as a personal survival kit gave the weekend its soul, reminding everyone that her intellectual curiosity has always been the real engine behind the brand.
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photography. courtesy of Miu Miu
words. Gennaro Costanzo











