louis vuitton objets nomades | salone del mobile

Louis Vuitton.

The historic Palazzo Serbelloni glows with restored energy as a journey through time begins within its neoclassical walls. This year, Louis Vuitton transforms the palace into a vibrant landscape for Milan Design Week, where the ghost of Art Deco master Pierre Legrain guides a walk through the evolution of travel. At the heart of this narrative stands the house’s new ‘Objets Nomades’ collection, that truly brings this story to life.

The experience begins in the Giangaleazzo room, where archives from the house spill across the space, featuring vintage fragrance bottles and early trunks tucked into the setting of a 1920s train carriage. These rare artefacts, drawn from the heritage collection, sit among signposts of travel history to establish a narrative that spans over a century.

Moving forward, a step into the Gabrio room reveals a world of midnight blue and brown. Here, a massive Tikal rug covers the floor in a pattern inspired by Legrain’s bookbindings, while furniture pieces occupy the drawing room and library sections, surrounded by patterns that skip across various scales. Similarly, large graphic throws hang like heavy paintings in the Napoleonica room, facing the ‘Riviera’ deck chair and the Omega-shaped ‘Céleste’ vanity. Reissued from a 1921 design, this vanity appears in lacquered wood and Nomade leather, serving as a celebration of a century of craftsmanship.

Louis Vuitton.

Louis Vuitton.

Meanwhile, geometric mountain landscapes embellish the Beauharnais room, borrowing from Charlotte Perriand’s 1920s textile archives to decorate both tablecloths and contemporary seating. Within this space, Marc Newson’s minimalist scented candles sit alongside ceramics by Patrick Jouin – including plates inspired by the Louis Vuitton Monogram – populating an environment that moves through different eras of house history. This palette shifts as red and gold hues dominate the Parini room, where Legrain’s influence returns through a tablecloth that dictates the mood of the surrounding accessories.

In contrast, aquatic green light bathes the Boudoir, which houses a kaleidoscope cabinet and a football table by Estudio Campana featuring cast-metal mermaids. It is here that frequent collaborator and sculptor Géraldine Gonzalez worked with the Campana brothers to create the ‘Cocoon Dichroic,’ a hanging seat covered in hand-cut iridescent leaves that shimmer from every angle. The theme of exploration then shifts to the cosmic in the Grand Foyer through the ‘Stella Armchair’ by Raw Edges, which uses a textile covering to create an almost hypnotic optical illusion.

Louis Vuitton.

Outside, students from the Accademia di Belle Arti di Brera helped paint a monumental work across the courtyard paving, turning the stone floor into a nomadic rug of intricate patterns. Before exiting, guests can visit a pop-up bookstore at the entrance, offering a chance to browse through the Maison’s ‘Fashion Eye’ and magnificent Travel Books collection.

The journey continues down the road at the Via Montenapoleone store, where a stained-glass trunk designed by Pharrell Williams stands as a luminous tribute to the windows of the Asnières family home. Crafted with the detail of a cathedral window, the Malle Courrier Lozine holds light within its glass structure, showing how tradition survives through new ideas. Nearby, functional inventions like the Malle Lit hide a full memory-foam bed inside a Monogram canvas shell, ready for a night under the stars.

Louis Vuitton.

We’re left to wonder, why settle for a simple commute when you can lose yourself in a world of shimmering, hand-cut leaves and glass-blown trunks? After all, at Louis Vuitton, the journey has always been far more interesting than the destination.

The Louis Vuitton exhibition at Palazzo Serbelloni is open to the public until April 26th. Discover more here.

photography. courtesy of Louis Vuitton
words. Gennaro Costanzo