jimmy choo | beach capsule 2025

Joan Jonas by Rosie Marks for Loewe & On.

A new Loewe creative chapter is upon us, taking an outdoor turn this time around, with On joining the Spanish house for an Autumn/Winter 2026 collection shaped by artistic exploration. The campaign brings three artists into the picture, treating movement as fuel for creative discovery — whether that means following a forest path, navigating city streets or finding room to experiment. Directed and photographed by Rosie Marks, the project features video and performance artist Joan Jonas, filmmaker Martine Syms and artist-composer Tarek Atoui, each bringing a different perspective on how the world beyond the studio can feed into creative practice.

The campaign film and accompanying shorts follow the trio between their workshops and the landscapes that inform their work, with voiceovers exploring the relationship between physical expression, personal technique and curiosity. For Atoui, movement is connected to the freedom to listen, experiment and play. “The artistic gesture starts with the act of playing. We are often playing with materials, playing with objects, and from these come the ideas,” he says. Jonas responds instinctively to the natural world through costume and movement, while Syms approaches the city as a place of exploration, following routes shaped by those who came before her.

Tarek Atoui by Rosie Marks for Loewe & On.

Martine Syms by Rosie Marks for Loewe & On.

There is new footwear to accompany the excursion, too. The Cloudsolo Hiker puts an outdoorsy spin on the partnership, pairing On’s cloud heel with a lugged outsole and signature marble rubber. Custom hooks, rounded two-tone laces and a co-branded metallic buckle finish the upper, with colourways ranging from sand and dark khaki to black and fox red. The Cloudtilt Cosmic, meanwhile, gives the original Cloudtilt a sleeker profile, introducing a new CloudTec® Phase sole with a visible arch and larger cavities for cushioning. Engineered mesh, transparent layers and Loewe Anagram stitching complete the design, which comes in shades spanning understated black and white to bright orange and lilac.

The collection extends into ready-to-wear, where outdoor functionality meets the Spanish house’s playful approach to shape and material. Adjustable parkas and puffers, micro-ripstop jackets, a packable poncho and pleated cargo trousers sit alongside technical jerseys, performance shorts and French terry hoodies. Mesh ventilation features across stretch double-jersey tops, skirts and bootleg trousers, while selected pieces arrive in multicoloured Swiss Alps prints. The palette moves between khaki green, dark orange, purple and yellow, with plenty of black for those who prefer their adventures less colourful.

Rosie Marks for Loewe & On.

Joan Jonas and Tarek Atoui by Rosie Marks for Loewe & On.

The Loewe x On Autumn/Winter 2026 collection launches on 15 October online and in selected Loewe and On boutiques. Find out more here.

photography. courtesy of Rosie Marks for Loewe & On
words. Gennaro Costanzo

Dev Hynes by Zhenya and Tanya Posternak for UGG.

Loungewear has never had the strongest reputation for being flattering or stylish — that was until Jonathan Anderson decided to dip his toes into this other venue too. For his first collaboration between JW Anderson and UGG, the designer turns two of the Californian label’s best-known silhouettes into loafer-inspired hybrids, with musician and producer Dev Hynes, a.k.a. Blood Orange, bringing them into the everyday through a series of domestic scenes photographed by Zhenya and Tanya Posternak.

The premise is easy enough: take the comfort of an UGG and give it the proportions and detailing of a penny loafer. The Classic Boot and Tasman are reimagined as the UGG JW Anderson Loafer Boot and UGG JW Anderson Loafer, with rounded toes and box-stitching adding a new outline to their recognisable shapes. Signature UGG materials and cushioning remain, keeping the styles firmly in the realm of footwear meant to be worn, while Anderson’s design details shift them towards something a little less expected.

Dev Hynes by Zhenya and Tanya Posternak for UGG.

UGG.

“I wanted to see how that language could translate into UGG,” Anderson explains, describing the thinking behind the project. “UGG boots are instantly recognisable, and I was interested in seeing something so familiar through the lens of JW ANDERSON. For me, collaboration is about experimentation, bringing two distinct points of view together and seeing where that leads.”

Anderson has selected three colourways for the unisex release: Chestnut, Khaki and Orange, the latter bringing a brighter turn to UGG’s familiar palette.

The campaign follows Hynes around the home as he gets dressed, moves between rooms, sits, stands, leaves and returns, turning the small routines of daily life into the setting for a footwear collaboration. Styled by Anderson himself, the looks place the shoes somewhere between lounging and dressing up, exploring the space between something you reach for instinctively and something that changes the feel of an outfit.

Dev Hynes by Zhenya and Tanya Posternak for UGG.

Dev Hynes by Zhenya and Tanya Posternak for UGG.

The UGG x JW Anderson collection launches on 15 October online and in selected boutiques. Discover more here.

photography. courtesy of Zhenya Posternak and Tanya Posternak for UGG
words. Gennaro Costanzo

Lennert Madou for Delvaux.

Delvaux has found a way to make flowers last beyond their vase life: for Autumn/Winter 2026, the Belgian leather house grows them directly from its handbags. Photographed by Lennert Madou, the new campaign unfolds in a romantic, surreal landscape where blossoms emerge from leather, appear across faces and scatter through the scenery beneath skies coloured by the shifting tones of a Belgian autumn. The end result is a visually-charged celebration of the Maison’s craftsmanship, with botanical fantasy meeting the architectural discipline of its celebrated leatherwork.

Two floral expressions shape the collection — Wild Bloom and Botanica. The first takes a sculptural approach, with tulips, bell flowers and leaves rising from the bags in layered calfskin. Leather marquetry, sheathing, thermoformed structures, laser cutting and hand stitching give each botanical form its own volume, extending petals and stems beyond the contours of the bag. 

Botanica, by contrast, draws flowers closer to the surface, combining inlaid and applied leather for an effect reminiscent of pressed blooms. On selected designs, stems, leaves and petals travel across the bag in continuous compositions, turning its construction into part of the artwork. Both lines draw on Belgium’s artistic heritage, from the intricate flower paintings of 17th-century Flanders to the organic curves of Brussels Art Nouveau.

Lennert Madou for Delvaux.

Lennert Madou for Delvaux.

Behind the floral flourishes sits a more technical achievement: ‘Arsenal’ leather, Delvaux’s signature interlocking construction. Developed over more than two years, the material begins with a full hide cut into double-D elements. Each piece is then individually edge-painted before artisans link them together by hand, one by one, creating a supple structure reminiscent of chain mail. Its geometric pattern takes inspiration from the brickwork of L’Arsenal, the Maison’s Brussels headquarters, translating an architectural detail into an entirely new leather surface.

The technique finds expression across three of the Maison’s emblematic silhouettes: Le Brillant, Le Tempête and Le Pin, each becoming a canvas for a different interpretation of leather. With Wild Bloom’s dimensional petals and Botanica’s graphic botanical motifs, Delvaux brings its Haute Maroquinerie into bloom, showing how the possibilities of a familiar material can keep unfolding.

Lennert Madou for Delvaux.

Lennert Madou for Delvaux.

Discover the latest range here.

photography. courtesy of Lennert Madou for Delvaux
words. Gennaro Costanzo