
Galib Gassanoff
Returning after a four-year hiatus, Mercedes-Benz Fashion Week Tbilisi proved that the Georgian capital remains a place where tradition and modernity intersect. Positioned between Europe and Asia, Tbilisi’s storied history – Soviet heritage, brutalist architecture and medieval churches – is deeply intertwined with its contemporary cultural scene, shaped by electronic music, independent art and emerging creative communities.
With that said, it’s no surprise that fashion continues to thrive in the city. Taking place from May 7 to 10, the Autumn/Winter 2026 edition of MBFW Tbilisi was packed with runway shows, exhibitions, presentations, dinners, performances and after-parties, spotlighting eleven designers – both established names and up-and-coming talents. The event was also fundamental in platforming Georgian designers to a global audience, with founder Sofia Tchkonia noting that this season stood out “both for the strength of the collections and the way the designers presented them.”

Galib Gassanoff
Factory Tbilisi served as more than just a backdrop for the four-day programme. The industrial-style complex, with its raw concrete surfaces and lofty open spaces, carried an atmosphere that morphed with each presentation. That tone was established from the opening evening, when Simon Machabeli’s exhibition debuted alongside an installation by Galib Gassanoff. Together, the works transformed the venue into an immersive introduction to the themes that would define the days ahead.
Among the designers showing in Tbilisi, Gassanoff emerged with defining international momentum. A finalist for the 2026 LVMH Prize and recipient of the Zalando Visionary Award, the Georgian-born, Milan-trained designer presented a collection woven entirely from shoelaces as a part of the ongoing research project he launched in 2024. Beyond the runway, two generations of master weavers from Borchalo in southern Georgia worked on a traditional loom at the entrance to Factory Tbilisi.

left. God Era
right. Materiel x Gudu
Nino Goderidze, founder of God Era, approached her collection through a distinctly political lens, describing the experience of creating in Tbilisi as existing within “a constant friction between freedom and restriction.” The show referenced censorship, migration and queer identity, marking it as one of the most important statements through fashion. Attendees also visited Samoseli Pirveli’s atelier on David Sarajishvili Street, grounding the runway shows in craftsmanship, heritage and Georgian savoir-faire. Founded in 2009, the brand is a leading force in the contemporary revival of traditional Georgian dress, bringing historic garments into modern wardrobes by reinterpreting pieces like the men’s chokha.

left. Supernatural Superstar
right. Ingorokva
Other collections balanced tailoring, youth culture, heritage and experimentation simultaneously. The collaboration between Materiel and Gudu stood out in particular, with designer Lasha Mdinaradze reworking classic staples like trench coats, shirts and denim through exaggerated proportions and pops of colourful leather. Designers, including Supernatural Superstar, Ingorokva and Tatuna, explored different intersections of craft and identity, while newer labels brought a more instinctive energy. Most notably, Reckless presented ‘Half Sleeper’, a collection by Anka Koiava, Liza Kajrishvili and Masu Mtsariashvili that examined the psychological space between being asleep and awake, something that feels inherently Gen Z.

Malgosia Bela book signing
Off the runway, the programme was just as impactful. Polish model and actress Małgosia Bela presented her book ‘Winter Girl’ – a personal introspective inspired by her essays and memorable images spanning her career – at Telegraph Hotel. And later in the day, Jay-Jay Johanson, Nikoloz Rachveli, the Georgian Philharmonic Orchestra and Ensemble Shavnabada came together for a concert at Factory Tbilisi before a Pornceptual takeover and after-party at Bassiani. These events reinforced the idea that MBFW Tbilisi is far more than a traditional fashion week; it is a wider cultural platform shaped equally by fashion, music, art and nightlife.

Jay-Jay Johanson concert
After four years away, MBFW Tbilisi’s comeback reignited a creative spark that extended far beyond the runway. More than a showcase of collections, the week positioned itself as an evolving cultural platform communicating Georgia’s identity through fashion, art, music, and so much more. Rooted firmly in its own context while speaking to an international audience, this season felt less like a relaunch and more like a look at where Georgian creativity is heading next.
photography. Courtesy of Mercedes-Benz Fashion Week Tbilisi
words. Amber Louise



























