christian louboutin | the summer 2026 campaign

At Off-White, streetwear is never an excuse to be too casual. For the Autumn/Winter 2026 collection, creative director Ib Kamara continues to steer the brand toward a future where everyday wear and high-concept design exist in total harmony. The presentation felt like an invitation to a global party, celebrating a mix of cultures through a lens of modern utility. 

Vibrant shades of cobalt blue, safety orange and neon green popped against the antique backdrop of a Parisian school courtyard. Kamara experimented with proportions, featuring a baggy blue tracksuit, a zip-up hoodie and gigantic puffer jackets paired with ultra-wide cargo trousers. These bottoms appeared to be made from repurposed parachutes, complete with trailing straps and heavy metal clips.

The influence of the legendary Miles Davis and the fearless Betty Davis pulsed through the garments, serving as the core inspiration for the season. Kamara drew heavily from the 1970s jazz-fusion era, specifically referencing the 1973 album ‘Bitches Brew’ to create a mood of soulful disruption. Tailoring remains a central focus, especially for coats and blazers that appear in sombre shades of black and grey. A surprising twist emerged in the sleeves, where long, detachable puffy tubes took over the arms and reached all the way to the knuckles. The opening look introduced a patchwork trench coat crafted from washed brown suede, detailed with a bright red logo that stood out against the earthy tones.

Sensuality played a major role this season, with delicate lace details appearing in unexpected places. Brightly coloured lace was layered over light nylon dresses, creating a playful nod to the lingerie-inspired stage looks worn by Betty Davis. These dresses draped over the body like a second skin, offering a soft counterpoint to the industrial technical fabrics found elsewhere in the collection. Polka dots also made a reappearance through the signature Meteor eyelets of the brand. These circular cut-outs punctured everything from fitted tops to flared denim, turning a classic pattern into a tool for modern exploration.

Footwear added another layer of drama to the silhouettes. High lace-up stilettos in saturated hues of red and yellow wrapped around the ankles to finish the look with an unapologetic elegance. These were occasionally swapped for chunky, utility-driven boots that felt ready for a future city. The accessories remained bold, with large frames and graphic bags that mirrored the playful, childlike energy Kamara aimed to capture throughout the show.

Discover the Autumn/Winter 2026 collection here.

photography. courtesy of Off-White
words. Gennaro Costanzo

The wanderer found a sense of belonging within the cavernous halls of the Hôtel de Ville, shielded by the watchful eye of Yohji Yamamoto. His Autumn/Winter 2026 collection leaned into this nomadic spirit, blending a feeling of protection with the deliberate slouchiness of his signature silhouettes.

The construction of the pieces felt like a journey in itself, defined by an extreme approach to layering that transformed the models into walking sculptures. The designer moved away from anything resembling a standard fit, instead piling garment upon garment to create a sense of safety and depth.

Yamamoto reimagined the modern kimono in a way that managed to be both reverent and rebellious. Each look began with a stark foundation of signature black, providing a dark canvas for the vibrant prints of Katsushika Hokusai to emerge with sudden intensity. The nineteenth-century ukiyo-e icon was famous for his obsession with the natural world, and his energetic woodblock style brought a surreal, storybook quality to the heavy silk. These motifs, featuring everything from artistic flamingos to psychedelic stripes, were integrated into the silhouettes through meticulously constructed robes that appeared to defy conventional tailoring. 

Knotted fabrics gathered at the side of the body to create a rich physicality, while layered jacquard textures and subtle plaids added a spirited quality to the way the cloth moved. Models wore layers upon layers of knitwear, heavy coats and scarves that obscured the body yet flowed beautifully. You could see flashes of contrasting textiles emerging from beneath the heavy wools and silks. Austere knits were paired with skintight leggings and wooden geta footwear, a choice rarely seen beyond ceremonial settings.

The models’ hair provided a startling, ethereal contrast to the heavy textiles. Every head was crowned with a wild, frizzy cloud of hair, electrified and dusted with white powder to look like frozen smoke or gathering storm clouds. It looked as though the models had just stepped out of a powerful gale, their spirits as unruly as the fabric wrapped around them.

As the show progressed, the focus remained on the tension between the dark, heavy materials and the moments of exposed skin or lighter draped jersey. The way a silk sash trailed behind a heavy woollen coat or the manner in which a flared trouser leg caught the light spoke of a designer who still finds new ways to challenge our perception of beauty.

Discover the Autumn/Winter 2026 collection here.

photography. courtesy of Monica Feudi
words. Gennaro Costanzo

Speed and luxury trunks are rarely seen in the same frame unless a billionaire is moving house in a hurry. However, as the 2026 Formula 1 season begins in Melbourne, Louis Vuitton has made this unlikely pairing its permanent residence. The house is now entering the second year of its global partnership with the sport, building on the foundations laid last year when it was first announced that Monaco would serve as the spiritual home for this collaboration. But for 2026, that ambition has expanded to cover every single stop on the racing calendar.

Louis Vuitton has maintained a link to the automotive world since the late nineteenth century, starting with the very first auto trunks designed by Georges Vuitton. This partnership is a continuation of that lineage, moving from the rallies of the nineties to the modern era of racing that attracts hundreds of millions of fans. 

This season introduces a total reboot for the grid, with regulations delivering cars that are smaller and more agile than those of previous years. These machines now run on hybrid engines fuelled by advanced sustainable liquids, putting the driver at the heart of the action more than ever before. Two new names, Audi Revolut and Cadillac, have finally joined the paddock to challenge the established order. In Bahrain, all 22 drivers stood together for a pre-season image that highlighted the ultimate prize of the sport: the World Champion trophy. It was presented in a custom monogrammed travel case, a piece of hardware that represents the end of a lifelong pursuit for the athletes.

A total of 24 bespoke trophy trunks will follow the championship to every Grand Prix ceremony this year. Each one is produced in the historic workshops of Asnières, designed to carry the most coveted awards in racing across the globe. The tagline ‘Victory Travels in Louis Vuitton’ is far more than a marketing slogan, referencing a heritage of protecting prizes for the FIFA World Cup and the America’s Cup. The brand is consolidating its presence by remaining the Title Partner for the Monaco Grand Prix in May, where the iconic red and white ‘V’ will be visible across the trackside banners of the most famous street circuit in the world.

From the upcoming debut of the Madrid Grand Prix in September to the final lap of the season, the house is ensuring that the pinnacle of motor racing is wrapped in its signature craftsmanship. It is a commitment to excellence that matches the innovation required to win a world title on the track.

Discover more here.

photography. courtesy of Louis Vuitton
words. Gennaro Costanzo